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dc.contributor.authorCameron, Evan Wm.
dc.date.accessioned2019-08-01T16:27:12Z
dc.date.available2019-08-01T16:27:12Z
dc.date.issued1970
dc.identifier.urihttp://hdl.handle.net/10315/36387
dc.description.abstractAn early attempt by the author to comprehend the nature, scope and limits of the constraints on the possibilities of 'colour music'. (Thesis submitted in the Spring of 1968 in partial fulfillment of the requirements for the degree of M.S. in Film, Graduate Programme in Film, Boston University.)en_US
dc.language.isoenen_US
dc.rightsAttribution-NonCommercial-NoDerivs 2.5 Canada*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/2.5/ca/*
dc.subjectAestheticsen_US
dc.subjectArithmeticen_US
dc.subjectBach, J. S.en_US
dc.subjectColouren_US
dc.subjectColour, Perception ofen_US
dc.subjectFilmmakingen_US
dc.subjectFilmmaking, Experimentalen_US
dc.subjectHearingen_US
dc.subjectHearing Moviesen_US
dc.subjectInformation Theoryen_US
dc.subjectLighten_US
dc.subjectLogicen_US
dc.subjectMathematicsen_US
dc.subjectMusicen_US
dc.subjectPerceptionen_US
dc.subjectPhysicsen_US
dc.subjectPhilosophy, History ofen_US
dc.subjectSeeingen_US
dc.subjectSeeing Moviesen_US
dc.subjectSoundsen_US
dc.subjectWaves, Light or Sounden_US
dc.titleOn Mathematics, Music and Filmen_US
dc.typeThesisen_US


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Attribution-NonCommercial-NoDerivs 2.5 Canada
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