On Mathematics, Music and Film
dc.contributor.author | Cameron, Evan Wm. | |
dc.date.accessioned | 2019-08-01T16:27:12Z | |
dc.date.available | 2019-08-01T16:27:12Z | |
dc.date.issued | 1968 | |
dc.degree.grantor | Boston University | |
dc.description.abstract | An early attempt by the author to comprehend the nature, scope and limits of the constraints on the possibilities of 'colour music'. (Thesis submitted in the Spring of 1968 in partial fulfillment of the requirements for the degree of M.S. in Film, Graduate Programme in Film, Boston University.) | en_US |
dc.identifier.uri | http://hdl.handle.net/10315/36387 | |
dc.language.iso | en | en_US |
dc.rights | Attribution-NonCommercial-NoDerivs 2.5 Canada | * |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/2.5/ca/ | * |
dc.subject | Aesthetics | en_US |
dc.subject | Arithmetic | en_US |
dc.subject | Bach, J. S. | en_US |
dc.subject | Colour | en_US |
dc.subject | Colour, Perception of | en_US |
dc.subject | Filmmaking | en_US |
dc.subject | Filmmaking, Experimental | en_US |
dc.subject | Hearing | en_US |
dc.subject | Hearing Movies | en_US |
dc.subject | Information Theory | en_US |
dc.subject | Light | en_US |
dc.subject | Logic | en_US |
dc.subject | Mathematics | en_US |
dc.subject | Music | en_US |
dc.subject | Perception | en_US |
dc.subject | Physics | en_US |
dc.subject | Philosophy, History of | en_US |
dc.subject | Seeing | en_US |
dc.subject | Seeing Movies | en_US |
dc.subject | Sounds | en_US |
dc.subject | Waves, Light or Sound | en_US |
dc.subject | Cameron, Evan | en_US |
dc.title | On Mathematics, Music and Film | en_US |
dc.type | Electronic Thesis or Dissertation | en_US |
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