Saranjaam
| dc.contributor.advisor | Greyson, John R | |
| dc.contributor.advisor | Green, Laurence | |
| dc.contributor.advisor | Barta, Tereza | |
| dc.creator | Jabbari, Mehran | |
| dc.date.accessioned | 2016-09-13T13:12:58Z | |
| dc.date.available | 2016-09-13T13:12:58Z | |
| dc.date.copyright | 2013-05 | |
| dc.degree.discipline | Film And Video | |
| dc.degree.level | Master's | |
| dc.degree.name | MFA - Master of Fine Arts | |
| dc.description.abstract | "It was only during my second year of MF A studies at York University that I decided which film I wanted to make for my thesis project. I had faced several setbacks in my first year of Masters studies - some of which help guide me towards understanding where I should be focusing my creativity for my thesis. These setbacks left me well behind my classmates' progress, but in the end, my process has brought me to a rewarding place in the development of my artistic voice. I started out making a very different thesis film also about my Iranian identity and roots, but not about my parent's immigration process to Canada. I came to realize that my parents' story and their series of actions folding and unfolding entailed more than just a process, that leads to an explanation as to why so many people get to a point in their lives where continuing a simple life is no longer an option, regardless of their past. Knowing this was my parents', I often found myself pondering about what is the prerogative of any story's subject to create their own story and make it cinematic. I recognized in their story a parallel for my own artistic growth, as I tried to author the arc of my own artistic growth. Identity and interpretation quickly became the backbone of my film and when writing the script, I asked myself, ""What is my role with respect to the events and scenarios that occurred? What is the role of the filmmaker in constructing such identities?"" While writing the script, it was integral to me to clearly draw the boundary that delineated the factual from the fictitious. I had to avoid separating myself from the events through too much artistic license; I had to make sure my characters continued to exist within a large margin of reality as events actually unfolded. I hope I succeeded." | |
| dc.identifier.uri | http://hdl.handle.net/10315/31902 | |
| dc.rights | Author owns copyright, except where explicitly noted. Please contact the author directly with licensing requests. | |
| dc.subject.keywords | Film | |
| dc.subject.keywords | Filmmakers | |
| dc.subject.keywords | Iranian identity | |
| dc.subject.keywords | Iran | |
| dc.subject.keywords | Canada | |
| dc.title | Saranjaam | |
| dc.type | Electronic Thesis or Dissertation |
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