A Redefined Role for Tuba in Jazz

In accordance with the York University MA composition thesis guidelines, I propose to create a body of work consisting of several original jazz compositions. This project will utilize myself as composer with the tuba at the heart of the compositions, often as the featured musical voice. The writing will demonstrate the tuba from not only a bass position, but also as a soloist. The focus of my thesis is to position the tuba as a core element within the jazz model, demonstrated in compositional writing and performance. The compositions will be exhibited through an audio recording, music scores, and via literary and oral dissertation to further acquaint the jury and public with my writing, and in specific what I provide as an individualistic, improvisational tuba player. These compositions are being created to not only demonstrate my strengths and sensibilities as a composer, but will also better illuminate my approach to tuba, demonstrating it as a valid and definitive voice for jazz. My composition portfolio will include pieces for jazz duo, trio, quartet and quintet with varied instrumentation. These compositions reside within the traditional jazz approach and standard 'song' forms, but will employ various compositional techniques accrued either through my studies at York or beyond. There will be improvisation and experimentation, but most compositions will not be overly expansive with improvisation. The goal of these compositions and my thesis is to posit the tuba as a legitimate voice as a bass instrument in jazz. This instrument has been marginalized since its earliest role in the cannon of jazz writing and arranging. The tuba, bass saxophone and similar bass instruments quickly faded into obscurity once acoustic bass became the de facto rhythm section standard on stage and in the studio. I aim to shed light on a forgotten forefather of jazz, and bring it back to the forefront of this musical genre through my own compositions and arrangements.