Dukkha: In Light of Buddhism Examining Spirituality, Materiality, Symbolism, and Time in the Film Entitled Dukkha

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dc.contributor.advisorLau, Yam K.
dc.contributor.authorShi, Qiaodi
dc.date.accessioned2020-11-13T13:57:22Z
dc.date.available2020-11-13T13:57:22Z
dc.date.copyright2020-06
dc.date.issued2020-11-13
dc.date.updated2020-11-13T13:57:22Z
dc.degree.disciplineVisual Arts
dc.degree.levelMaster's
dc.degree.nameMFA - Master of Fine Arts
dc.description.abstractThis thesis exhibition, How Calm the Ocean, features my long-term video project, Dukkha, along with a large-scale sand hill installed in the Special Project Gallery at York University.1 In Buddhism, suffering is one of the four noble truths that an individual cannot avoid in life. There are eight sufferings: birth, aging, sickness, death, separation of the loved one, denial of ones desire, the long-lasting and unpleasant, and over-reliance on five aggregates.
dc.identifier.urihttp://hdl.handle.net/10315/37963
dc.languageen
dc.rightsAuthor owns copyright, except where explicitly noted. Please contact the author directly with licensing requests.
dc.subjectAsian literature
dc.subject.keywordsVisual
dc.subject.keywordsAsian
dc.subject.keywordsArts
dc.subject.keywordsBuddhism
dc.subject.keywordsImpermanence
dc.subject.keywordsEmptiness
dc.subject.keywordsVideo
dc.subject.keywordsFilm
dc.subject.keywordsSuffering
dc.titleDukkha: In Light of Buddhism Examining Spirituality, Materiality, Symbolism, and Time in the Film Entitled Dukkha
dc.typeElectronic Thesis or Dissertation

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