Accessing the Underground Forest: Exploring Confidence, Release, and Artistic Integrity in the Three Sisters
dc.contributor.advisor | Armstrong, Eric | |
dc.creator | Wayne-Phillips, Hannah Ella | |
dc.date.accessioned | 2017-07-27T13:39:20Z | |
dc.date.available | 2017-07-27T13:39:20Z | |
dc.date.copyright | 2017-02-13 | |
dc.date.issued | 2017-07-27 | |
dc.date.updated | 2017-07-27T13:39:20Z | |
dc.degree.discipline | Theatre | |
dc.degree.level | Master's | |
dc.degree.name | MFA - Master of Fine Arts | |
dc.description.abstract | With this dissertation, I have investigated the relationship between the unconscious and accessing rich detailed sources as an actor. I have established a methodology for addressing physical and psychological blocks in order to find confidence, detail, specificity, and artistic integrity in performance. I have applied this methodology to my performance of Masha in "Three Sisters" by Anton Chekhov, which was part of the 2016-2017 Theatre@York Season. I have also written an extensive character, period, and author analysis of Masha and Anton Chekhov. During rehearsals and performances of "Three Sisters" I wrote journal entries documenting my process and the application of my methodology to the role of Masha. | |
dc.identifier.uri | http://hdl.handle.net/10315/33540 | |
dc.language.iso | en | |
dc.rights | Author owns copyright, except where explicitly noted. Please contact the author directly with licensing requests. | |
dc.subject | Theater | |
dc.subject.keywords | Theatre | |
dc.subject.keywords | Acting | |
dc.subject.keywords | Unconscious | |
dc.subject.keywords | Confidence | |
dc.subject.keywords | Artistic integrity | |
dc.subject.keywords | Anton Chekhov | |
dc.subject.keywords | The Three Sisters | |
dc.subject.keywords | Masha | |
dc.title | Accessing the Underground Forest: Exploring Confidence, Release, and Artistic Integrity in the Three Sisters | |
dc.type | Electronic Thesis or Dissertation |
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