Grieving (and) Weaving (and) Spreading (and) Becoming
dc.contributor.advisor | Vickerd, Brandon | |
dc.contributor.author | Spiljak, Veronica Jacqueline | |
dc.date.accessioned | 2024-07-18T21:27:17Z | |
dc.date.available | 2024-07-18T21:27:17Z | |
dc.date.copyright | 2024-04-30 | |
dc.date.issued | 2024-07-18 | |
dc.date.updated | 2024-07-18T21:27:16Z | |
dc.degree.discipline | Visual Arts | |
dc.degree.level | Master's | |
dc.degree.name | MFA - Master of Fine Arts | |
dc.description.abstract | Our interactions with personal ephemera - a home, a recovered letter, an expired bank card, an arranged breakfast table, a church stained glass window, an enclosed corner, your mother’s rosary, a childhood bedroom - give way to the psychological investigations of the self. In this thesis paper, Grieving (and) Weaving (and) Spreading (and) Becoming, I will explore my practice of subverting and incorporating found images, video, Slavic motifs, text and text(iles) in a disembodied search for identity, reconnection and softness. My arts-informed research project uses weaving methodologies, our personal archives among the discourse of grief, trauma, the domestic space, ritual, religion and gendered domestic labour. Through works of embroidery, image-making, performance, installation this paper aims to include a “distraction-as-ceremony” based methodology, similar to weaving methodologies, as a form of reconnection to our roots and our identities. In this paper, I will be using my Polish heritage as reference. In what ways can recreating, assembling, manipulating ephemera, space, language and the archive be used as a tool for a softer, slower, more patient future? | |
dc.identifier.uri | https://hdl.handle.net/10315/42192 | |
dc.language | en | |
dc.rights | Author owns copyright, except where explicitly noted. Please contact the author directly with licensing requests. | |
dc.subject | Accounting | |
dc.subject.keywords | Visual arts | |
dc.subject.keywords | Fine arts | |
dc.subject.keywords | Embroidery | |
dc.subject.keywords | Feminism studies | |
dc.subject.keywords | Photography | |
dc.subject.keywords | Sculpture hauntology | |
dc.subject.keywords | Temporal art | |
dc.subject.keywords | Archival objects | |
dc.subject.keywords | Fabric | |
dc.subject.keywords | Sewing | |
dc.subject.keywords | Textiles | |
dc.subject.keywords | Installation | |
dc.subject.keywords | Performance | |
dc.subject.keywords | Video | |
dc.subject.keywords | Text-based art | |
dc.subject.keywords | Poetry | |
dc.subject.keywords | Conceptual writing | |
dc.subject.keywords | Weaving methodologies | |
dc.subject.keywords | ADHD | |
dc.subject.keywords | Distraction methodology | |
dc.subject.keywords | Distraction as ceremony | |
dc.subject.keywords | ADHD methodology | |
dc.subject.keywords | Slavic motifs | |
dc.subject.keywords | Catholic iconography | |
dc.subject.keywords | Ornamentation | |
dc.subject.keywords | Family archive | |
dc.subject.keywords | Polish culture | |
dc.subject.keywords | Matriarchal models | |
dc.subject.keywords | Anti-capitalist models | |
dc.subject.keywords | Spider silk | |
dc.subject.keywords | Interdisciplinary art | |
dc.subject.keywords | Identity | |
dc.subject.keywords | Softness | |
dc.subject.keywords | Slowness | |
dc.subject.keywords | Ephemera | |
dc.subject.keywords | Gendered labour | |
dc.subject.keywords | Myth-making | |
dc.subject.keywords | Meaning making | |
dc.title | Grieving (and) Weaving (and) Spreading (and) Becoming | |
dc.type | Electronic Thesis or Dissertation |
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