Playing Games with Art: The Cultural and Aesthetic Legitimation of Digital Games

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dc.contributor.advisorJenson, Jennifer, Dr.
dc.creatorParker, Felan Stephen
dc.date.accessioned2015-01-26T14:07:49Z
dc.date.available2015-01-26T14:07:49Z
dc.date.copyright2014-05-16
dc.date.issued2015-01-26
dc.date.updated2015-01-26T14:07:49Z
dc.degree.disciplineCommunication & Culture, Joint Program with Ryerson University
dc.degree.levelDoctoral
dc.degree.namePhD - Doctor of Philosophy
dc.description.abstractLike other popular cultural forms before them, digital games are undergoing a process of cultural and aesthetic legitimation; the question of digital games’ legitimacy as art is being raised with increasing urgency in a variety of different contexts. Mobilizing a conceptual framework derived from media studies, the sociology of art, and certain traditions in philosophical aesthetics, this dissertation proposes that art is constituted in a complex, historically-contingent assemblage made up of many diverse elements and sometimes called an “art world.” The legitimation of a cultural form as art is achieved through a process of collective action and interaction between not only art makers and art objects but also thinkers, talkers, watchers, and players, as well as ideas, organizations, places, and objects. The central question of this dissertation, therefore, is not “Are games art?” but rather “How are games being reconfigured as art, where, and by whom?” In order to understand the legitimation of games as art, it is necessary to attend to the specific social-material processes through which it is taking place in different contexts. This dissertation focuses on the historical period between 2005 and 2010, and is made up of several case studies, including the highly public debate precipitated by popular film critic Roger Ebert’s derisive comments about games as art; the cultural reception and canonization of blockbuster “prestige games” that pursue artistic status within the boundaries of the commercial industry, such as Bioshock; and at the opposite end of the spectrum, the construction of independently-produced “artgames” such as Passage as a gaming analogue to autobiographical indie music and comics. Each of these overlapping contexts represents a particular conception of games as legitimate art, mobilizing different elements and strategies in pursuit of cultural and material capital, and establishing the terms and stakes for more recent developments.
dc.identifier.urihttp://hdl.handle.net/10315/28164
dc.language.isoen
dc.rightsAuthor owns copyright, except where explicitly noted. Please contact the author directly with licensing requests.
dc.subjectMass communication
dc.subjectAesthetics
dc.subjectArt history
dc.subject.keywordsCommunication and the artsen_US
dc.subject.keywordsGame studiesen_US
dc.subject.keywordsMedia studiesen_US
dc.subject.keywordsGamesen_US
dc.subject.keywordsDigital gamesen_US
dc.subject.keywordsVideo gamesen_US
dc.subject.keywordsComputer gamesen_US
dc.subject.keywordsGames as arten_US
dc.subject.keywordsGaming cultureen_US
dc.subject.keywordsCultural legitimationen_US
dc.subject.keywordsArt and societyen_US
dc.subject.keywordsPopular arten_US
dc.subject.keywordsPopular aestheticsen_US
dc.subject.keywordsRoger Eberten_US
dc.subject.keywordsBioshocken_US
dc.subject.keywordsArt gamesen_US
dc.subject.keywordsGame-based arten_US
dc.subject.keywordsGame arten_US
dc.subject.keywordsSociology of arten_US
dc.subject.keywordsAestheticsen_US
dc.subject.keywordsAssemblageen_US
dc.subject.keywordsGame criticismen_US
dc.subject.keywordsCultural receptionen_US
dc.subject.keywordsDigital gamingen_US
dc.titlePlaying Games with Art: The Cultural and Aesthetic Legitimation of Digital Games
dc.typeElectronic Thesis or Dissertation

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