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dc.contributor.authorCameron, Evan Wm.
dc.date.accessioned2020-07-09T13:53:28Z
dc.date.available2020-07-09T13:53:28Z
dc.date.issued1977
dc.identifier.urihttps://yorkspace.library.yorku.ca/xmlui/handle/10315/37607
dc.description.abstractIn 1926, Vsevolod Pudovkin, a not-so-young Russian of thirty-two making his first movie of feature length, articulated within a brief manual for filmmakers how to solve the fundamental problem of film design by describing how to select and order the parts of a movie (its shots, scenes and sequences) to ensure that viewers can perceive coherently and with least effort the events that they encounter by means of them. How did he do it? How, indeed, could anyone have done it, much less an inexperienced filmmaker, accomplishing a feat of a kind unprecedented within commentaries by others upon any other art? To answer those questions is to comprehend not only the rudiments of how filmmakers make movies but the distinctive nature of the art of filmmaking itself. Within the lectures on 'Pudovkin's Precept . . .' available within the Evan Wm. Cameron Collection, I address those questions in order and with increasing refinement, unpacking in Part 2 how the precept, when understood as comprehensibly as Pudovkin would have wished, imposes additional requirements upon the making of movies intended to be 'works of art' – constraints within which too few filmmakers have been able and willing to work.en_US
dc.language.isoenen_US
dc.rightsAttribution-NonCommercial-NoDerivs 2.5 Canada*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/2.5/ca/*
dc.subjectAestheticsen_US
dc.subjectAugustine (of Hippo)en_US
dc.subjectBordwell, Daviden_US
dc.subjectBuñuel, Luisen_US
dc.subjectCinematographyen_US
dc.subjectDirectingen_US
dc.subjectEditingen_US
dc.subjectEisenstein, Sergeien_US
dc.subjectFilmmakingen_US
dc.subjectFilmmaking, Russian and Sovieten_US
dc.subjectGriffith, D. W.en_US
dc.subjectKracauer, Siegfrieden_US
dc.subjectLindgren, Ernesten_US
dc.subjectMERRY WIDOW, THEen_US
dc.subjectMOTHERen_US
dc.subjectMulvey, Lauraen_US
dc.subjectNaturalismen_US
dc.subjectOzu, Yasujirōen_US
dc.subjectPanofsky, Erwinen_US
dc.subjectPudovkin, Vsevoloden_US
dc.subjectScreenwritingen_US
dc.subjectScreenwriting, History ofen_US
dc.subjectSeeing Moviesen_US
dc.subjectStroheim, Ericen_US
dc.subjectThompson, Kristinen_US
dc.titlePudovkin's Precept, Part 2: 'This Method of Temporal Concentration'en_US
dc.typePresentationen_US


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Attribution-NonCommercial-NoDerivs 2.5 Canada
Except where otherwise noted, this item's license is described as Attribution-NonCommercial-NoDerivs 2.5 Canada