Show simple item record

dc.contributor.advisorCoghlan, Michael
dc.contributor.authorGassi, Vincent Paul
dc.date.accessioned2019-11-22T18:48:44Z
dc.date.available2019-11-22T18:48:44Z
dc.date.issued2019-11-22
dc.identifier.urihttp://hdl.handle.net/10315/36734
dc.description.abstractJerry Goldsmiths twelve-tone score for Planet of the Apes (1968) stands apart in Hollywoods long history of tonal scores. His extensive use of tone rows and permutations throughout the entire score helped to create the diegetic world so integral to the success of the film. Goldsmiths formative years prior to 1967his training and day to day experience of writing music for dramatic situationswere critical factors in preparing him to meet this challenge. A review of the research on music and emotion, together with an analysis of Goldsmiths methods, shows how, in 1967, he was able to create an expressive twelve-tone score which supported the narrative of the film. The score for Planet of the Apes marks a pivotal moment in an industry with a long-standing bias toward modernist music.
dc.languageen
dc.rightsAuthor owns copyright, except where explicitly noted. Please contact the author directly with licensing requests.
dc.subjectFilm studies
dc.titleThe Forbidden Zone, Escaping Earth and Tonality: An Examination of Jerry Goldsmith's Twelve-Tone Score for Planet of the Apes
dc.typeElectronic Thesis or Dissertation
dc.degree.disciplineMusic
dc.degree.namePhD - Doctor of Philosophy
dc.degree.levelDoctoral
dc.date.updated2019-11-22T18:48:44Z
dc.subject.keywordsFilm music
dc.subject.keywordsJerry Goldsmith
dc.subject.keywordsPlanet of the Apes
dc.subject.keywordsmusic and emotion
dc.subject.keywordstwelve-tone music
dc.subject.keywordsdodecaphonicism
dc.subject.keywordsserialism
dc.subject.keywordsmodernism


Files in this item

Thumbnail

This item appears in the following Collection(s)

Show simple item record


All items in the YorkSpace institutional repository are protected by copyright, with all rights reserved except where explicitly noted.