Show simple item record

dc.contributor.advisorLampert, Paul
dc.creatorDe Champlain-Leverenz, Desirée Marie
dc.date.accessioned2019-07-02T16:28:38Z
dc.date.available2019-07-02T16:28:38Z
dc.date.copyright2019-04-05
dc.date.issued2019-07-02
dc.identifier.urihttp://hdl.handle.net/10315/36345
dc.description.abstractEat Me is a praxis exploration in how to destabilize theatrical form in order for an artist to speak their truth as fully as possible. Inspired by the Italian Futurists, this journey takes into account different forms of post-dramatic theatre, and how they can be manipulated and received by an audience. This paper examines a queer feminist read of Marinettis Italian Futurist manifesto and attempts to mirror this queer feminist lens in the rehearsal process as well as the final performance. The performance tells it's story through bodies and cakes. The femme bodies continuously consume, even when it becomes harmful.
dc.language.isoen
dc.rightsAuthor owns copyright, except where explicitly noted. Please contact the author directly with licensing requests.
dc.subjectGender studies
dc.titleEat Me: Destabilizing Theatrical Forms of Representation in Order to Resist Reproduction of Prevailing Ideologies
dc.typeElectronic Thesis or Dissertation
dc.degree.disciplineTheatre
dc.degree.nameMFA - Master of Fine Arts
dc.degree.levelMaster's
dc.date.updated2019-07-02T16:28:38Z
dc.subject.keywordsAnti-capitalism
dc.subject.keywordsperformance art
dc.subject.keywordsdevised theatre
dc.subject.keywordspink
dc.subject.keywordseating
dc.subject.keywordsqueer
dc.subject.keywordsfeminism
dc.subject.keywordsfeminism and food
dc.subject.keywordsfuturism
dc.subject.keywords


Files in this item

Thumbnail

This item appears in the following Collection(s)

Show simple item record


All items in the YorkSpace institutional repository are protected by copyright, with all rights reserved except where explicitly noted.