Now showing items 1-5 of 5
Filmmaking, Logic and the Historical Reconstruction of the World
An assessment in historical context of how and what filmmakers, logicians and philosophers could have learned from one another about the rudiments of their crafts.
Pudovkin, Kant and the Principle of Perceptual Coherence
In 1926 Vsevolod Pudovkin, while making his first feature film, articulated a precept crucial to understanding how powerful movies are made. He did so by assimilating unwittingly the core of Kant's principle of experiential ...
KING KONG, Carroll and Currie: Misconstruing Monstrously How We See Things by Means of Movies
Two confusions have vitiated recent philosophical discussions about filmmaking: the presumption of Nöel Carroll that discrimination entails essentialism and the presumption of both Carroll and Gregory Currie that we cannot ...
'In My Mind's Ear': Misconstruing Sounds as Sights – a Philosophical and Cinematical Caution
The notion of 'imaging' music ought to perplex us philosophically, for 'to imagine' is a verb of visualisation. Hearing musical events may cause us to imagine things, and seeing things may cause us to think of hearing ...
Photograph of EWC (September 1992, Halliburton, Ontario)
Photograph by Joan Evans of EWC in Halliburton, Ontario on or about his fiftieth birthday.