Now showing items 1-10 of 16
Review of Eric Barnouw's Documentary: a History of the Non-Fiction Film (Oxford University Press, New York, 1974), 332 pages
A review of Eric Barnouw's Documentary: a History of the Non-Fiction Film (Oxford University Press, New York, 1974), 332 pages, published under the title 'Barnouw on Documentary' on pages 1 and 7 of the University Film ...
The Virtues and Limitations of Cookbooks: A Review of Manuals (Hastings House, 1976) by Daniel Arijon and Dwight V. Swain
A review of Daniel Arijon's Grammar of the Film Language and Dwight V. Swain's Film Scripting: A Practical Manual (New York, New York: Hastings House, 1976).
LE JEU EST FINI; LA GUERRE COMMENCE (or Playin' by the Rules Ain't Hardly No Fun Anymore)
An address on the nature, scope and consequences of the coming industrialisation of higher education presented to the Invitational Conference and Workshop on Film/Video as an Artistic, Professional, and Academic Discipline, ...
Growing Things: the Rural Patience of Robert Flaherty
As Robert Flaherty was making his first documentary with synchronous sound (MAN OF ARAN, released 1934), he discovered that he had never learned to cut smoothly between shots. He had become the most renowned maker of ...
Photograph of EWC (circa 1975, Boston, Massachusetts)
Photograph of EWC in Boston, Massachusetts, circa 1975. [Photographer unknown].
Psychopathology, Personal Identity and David Hume
Consider our idea of 'personal identity'. Of what simple ideas is it compounded, and from what impressions are they derived? David Hume was unable to answer the questions to his own satisfaction, and yet he could have ...
Photograph of Bernard Hermann and EWC (21 October 1973, Dryden Theatre, George Eastman House, Rochester, New York)
Photograph of Bernard Hermann and EWC taken on 21 October 1973 on the steps of the Dryden Theatre at the George Eastman House, Rochester, New York, following Bernard Hermann's presentation as part of the 'Reminiscence and ...
Course Materials for 'Theories of Filmmaking' - FA/FILM 2400 6.0, Fall and Winter Terms, 1998-1999
Outline, Readings, Examinations and (for private use of EWC) Schedule of Lectures and Screenings for a year-long course for film majors (and others, if interested) that I taught from 1970 to my retirement in 2008, sometimes ...
Pudovkin's Precept, Part 2: 'This Method of Temporal Concentration'
In 1926, Vsevolod Pudovkin, a not-so-young Russian of thirty-two making his first movie of feature length, articulated within a brief manual for filmmakers how to solve the fundamental problem of film design by describing ...