Now showing items 1-10 of 68
KING KONG, Carroll and Currie: Misconstruing Monstrously How We See Things by Means of Movies
Two confusions have vitiated recent philosophical discussions about filmmaking: the presumption of Nöel Carroll that discrimination entails essentialism and the presumption of both Carroll and Gregory Currie that we cannot ...
'In a Moment of Brilliance': Heidegger's Horsemen, HIGH NOON and the Existential Sentiment of 'Westerns'
By evidence and common consent, great 'western' movies are mythical encompassing a Weltanschauung that has engaged viewers within diverse cultures for over a century. Questions recur, however. What makes them so? and why ...
The Coming of Synchronous Sound to Filmmaking: an Introduction
An introduction to the causes and effects of the 'revolution' that occurred between 1927 and 1930 within the American filmmaking industry when the making of movies with synchronous sound became possible.
Misusing Sights as Sounds: The Infringements of Radio Drama on the Making of CITIZEN KANE
Many arts have influenced the cinema over extended periods of time. One art – radio drama – is an exception, for we can date the onset of its influence from the coming of synchronous sound to the cinema in 1926 and the ...
Robert Towne, Chinatown, and the Bewitchments of 'Tone'
Screenwriters during the 'studio era' were required to work in sequence upon the screenplays of movies. After the studios collapsed, however, they were obliged increasingly to work alone, many striving to secure above all ...
Francis Bacon and the Pragmatic Theory of Forms
A summary of Francis Bacon's ontology of nature followed by a pragmatic reading of his theory of 'Forms', concluding that Bacon construed the mark of a true form to be its usefulness (or, as he put it when insisting upon ...
God, Kant and the Transcendental Object: an Investigation into the Kantian Critique of the Ontological Argument
An address to the 4th International Kant Congress, Mainz, Germany, 8 April 1974 on the nature and consequences of Kant's remarks within his Critique of Pure Reason on the notions of 'God' and the 'Transcendental Object', ...
Review of Eric Barnouw's Documentary: a History of the Non-Fiction Film (Oxford University Press, New York, 1974), 332 pages
A review of Eric Barnouw's Documentary: a History of the Non-Fiction Film (Oxford University Press, New York, 1974), 332 pages, published under the title 'Barnouw on Documentary' on pages 1 and 7 of the University Film ...
A Prescriptive Criterion for Distinguishing Analytic from Synthetic Judgments
An essay confirming, in defiance of an opinion shared by many philosophers after Quine, that we may indeed, as Kant suggested, distinguish analytic from synthetic judgments but only by attending to how students could be ...
Review of Post-Theory: Reconstructing Film Studies, edited by David Bordwell and Noël Carroll (Madison, Wisconsin: the University of Wisconsin Press, 1996)
A review of Post-Theory: Reconstructing Film Studies, edited by David Bordwell and Noël Carroll (Madison, Wisconsin: the University of Wisconsin Press, 1996), xviii & 564 pages, $45.00 cloth, $17.95 paper, published on ...