An assessment in historical context of how and what filmmakers, logicians and philosophers could have learned from one another about the rudiments of their crafts.

Two confusions have vitiated recent philosophical discussions about filmmaking: the presumption of Nöel Carroll that discrimination entails essentialism and the presumption of both Carroll and Gregory Currie that we cannot ...

A lament upon the dying of the art of screenwriting, alongside the other 'liberal arts', provoked by the pondering of two texts: Oswald Spengler's Decline of the West and John Livingston's The Fallacy of Wildlife Conservation.