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dc.contributor.advisorHenderson, Alan
dc.creatorMcGill, Richard Thomas
dc.date.accessioned2017-07-27T13:49:12Z
dc.date.available2017-07-27T13:49:12Z
dc.date.copyright2017-04-06
dc.date.issued2017-07-27
dc.identifier.urihttp://hdl.handle.net/10315/33595
dc.description.abstractThis compositional thesis consists of six works inspired by the katas or forms of the Shotokan karate style. A kata is a fixed sequence of karate movements with an embedded natural rhythm. The Origins of Shotokan section reviews the history of martial arts in Asia and introduces some of the underlying inspirational elements such as techniques based on animal predatory movements and the katas unique names. The Kata Common Elements section expands on the meaning and structure of a kata. The traditional documentation of the natural rhythm ignores the move to move time interval. This thesis introduces the use of Western music notation to capture the timing relationships and to explain the katas natural rhythm. Four composition sections use a melodic line that is influenced by the physical movement of the karate technique. Picture examples are used to clarify the linkage to the melody. The later sections describe the history of the six inspirational katas. The compositional decisions associated with each is described with respect to their origin, katas name, natural rhythm, orchestration and melodic lines. The musical score accompanies the respective descriptions.
dc.language.isoen
dc.rightsAuthor owns copyright, except where explicitly noted. Please contact the author directly with licensing requests.
dc.titleCompositions Inspired by Shotokan Karate Katas
dc.typeElectronic Thesis or Dissertation
dc.degree.disciplineMusic
dc.degree.nameMA - Master of Arts
dc.degree.levelMaster's
dc.date.updated2017-07-27T13:49:12Z
dc.subject.keywordsMusic
dc.subject.keywordsJazz
dc.subject.keywordsMartial Arts
dc.subject.keywordsKarate
dc.subject.keywordsShotokan
dc.subject.keywordsKatas


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