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dc.contributor.advisorJones, Janet A.
dc.creatorThomas, L. Frances
dc.date.accessioned2015-08-28T15:41:23Z
dc.date.available2015-08-28T15:41:23Z
dc.date.copyright2015-04-28
dc.date.issued2015-08-28
dc.identifier.urihttp://hdl.handle.net/10315/30104
dc.description.abstractThe thesis Re-working explores the concepts of affect, constant change, the unfinished and undefined, and the ineptness of representation. It is a reflection and contemplation on the ontology of painting and the ongoing and undeniable allusive force of the abstract image as evidenced by the continued liveliness of, and interest in, the painting medium. My choice of the title Re-working speaks to the editing and revisions necessary in the process of realizing an image. At the same time I am inferring a larger and more encompassing sense of functioning and being in the world. It is the case that self and identity, the natural world, relationships and existence itself, are always in a constant state of flux, re-working and adaptation in the causes of renewal and sustainability.
dc.language.isoen
dc.rightsAuthor owns copyright, except where explicitly noted. Please contact the author directly with licensing requests.
dc.subjectAesthetics
dc.titleRe-working
dc.typeElectronic Thesis or Dissertationen_US
dc.degree.disciplineVisual Arts
dc.degree.nameMFA - Master of Fine Arts
dc.degree.levelMaster's
dc.date.updated2015-08-28T15:41:23Z
dc.subject.keywordsAbstraction
dc.subject.keywordsVisual art
dc.subject.keywordsPainting
dc.subject.keywordsFlux


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