YorkSpace has migrated to a new version of its software. Access our Help Resources to learn how to use the refreshed site. Contact diginit@yorku.ca if you have any questions about the migration.
 

After Collective Memory: Postnational Europe and Socially Engaged Art

Simple item page
dc.contributor.advisorReisenleitner, Markus
dc.creatorSynenko, Joshua Francis
dc.date.accessioned2015-12-16T19:22:49Z
dc.date.available2015-12-16T19:22:49Z
dc.date.copyright2015-07-03
dc.date.issued2015-12-16
dc.date.updated2015-12-16T19:22:49Z
dc.degree.disciplineHumanities
dc.degree.levelDoctoral
dc.degree.namePhD - Doctor of Philosophy
dc.description.abstractThis thesis focuses on works of public art that enjoy proven success in challenging the national bias of European heritage practice. By developing methods at the intersection between collective memory, critical historiography, and theory, I situate heritage debates in relation to forms of discrimination that emerged as symptoms of the financial crisis (2008-present). I then describe how public art interventions help to unsettle the grand narratives of cosmopolitan idealism that work to neutralize anti-racist strategies in the public sphere. The progression of my thesis eventually poses a challenge to the cosmopolitan reach of the Jewish diasporic tradition in particular. To that end, I explore the archival strategies of Holocaust memory practitioners, including their express aim of including diverse (i.e. non-Jewish) histories of violent exclusion into the historical record; the social and political conditions for the emergence of counter-monuments in West Germany during the 1970s, and the subsequent efforts that were made to turn this memorial aesthetic into a global standard for the memory culture industry; the haunting resurgence of cosmopolitan aspirations in Yael Bartana’s video installation, And Europe Will Be Stunned (2011); and a meditation on Bartana’s attempt at revisiting the racial dynamics of intergenerational violence in the aftermath of genocide.
dc.identifier.urihttp://hdl.handle.net/10315/30693
dc.language.isoen
dc.rightsAuthor owns copyright, except where explicitly noted. Please contact the author directly with licensing requests.
dc.subjectEuropean studies
dc.subjectPolitical Science
dc.subjectAesthetics
dc.subject.keywordsavant-garde
dc.subject.keywordsEurope
dc.subject.keywordscollective memory
dc.subject.keywordscosmopolitan citizenship
dc.subject.keywordscounter-monument
dc.subject.keywordsculture industry
dc.subject.keywordscultural theory
dc.subject.keywordsearthworks
dc.subject.keywordsgenocide
dc.subject.keywordsJewish
dc.subject.keywordsmemorial intervention
dc.subject.keywordsmigrant narratives
dc.subject.keywordsperformance art
dc.subject.keywordspost-holocaust
dc.subject.keywordspostnational
dc.subject.keywordsracialization
dc.subject.keywordsYael Bartana
dc.titleAfter Collective Memory: Postnational Europe and Socially Engaged Art
dc.typeElectronic Thesis or Dissertation

Files

Original bundle
Now showing 1 - 1 of 1
Thumbnail Image
Name:
Synenko_Joshua_F_2015_PhD.pdf
Size:
27.39 MB
Format:
Adobe Portable Document Format
Download
License bundle
Now showing 1 - 2 of 2
No Thumbnail Available
Name:
license.txt
Size:
1.83 KB
Format:
Plain Text
Description:
Download
No Thumbnail Available
Name:
YorkU_ETDlicense.txt
Size:
3.38 KB
Format:
Plain Text
Description:
Download

Collections

Humanities

All items in the YorkSpace institutional repository are protected by copyright, with all rights reserved except where explicitly noted.