Diversity in “the Korean Way”: Transcultural Identities in Contemporary Diasporic Korean Literature and Media in North America

Literary and visual media representations of diasporic Koreans in Canada and the U.S. have noticeably grown in the twenty-first century, (re)shaping popular culture imaginations of South Korean and Asian subjectivities. From globalized sitcoms such as Kim’s Convenience to novels, memoirs, and animated cartoons, recent portrayals of “Koreans” by diasporic Koreans increasingly depict the multifariousness of “Korean,” “Korean Canadian,” and “Korean American” identities through various lenses and vehicles such as local and trans-national/trans-historical perspectives, transnational Korean adoption, and comedy/humour. To capture the significance of what I discuss as the transculturality of diasporic Korean identities, I suggest in this dissertation that new frames of comparison and examination beyond geographical, temporal, and disciplinary borders are required. By demonstrating shared and different geopolitical histories and their effects among diasporic Korean populations in North America in tandem with the diversity and politics of representation within literatures and media produced by diasporic Koreans, I unsettle the knowledge of “the Korean Way”—being or becoming “Korean”—and simplistic nationalist imaginations of hyphenated Asian identities, within histories of Western colonialism and exclusion and marginalization against racial minorities in North America. The first chapter broadly traces: 1) the history of Korean Canadian and Korean American literature and media, 2) the respective political contexts shaping such representations in Canada and the U.S., 3) the development of anti-Asian Racism, racialization, and stereotypes in North America, 4) the modernization and economic rise of (South) Korea since the early-twentieth century. These historical and theoretical frameworks of the first chapter inform the second and third chapters, respectively exploring women’s narratives and televisual comedies of diasporic Koreans in North America since the 2010s. Chapter Two comparatively analyzes two novels and a memoir by female diasporic Korean authors, Anne Y.K. Choi, Frances Cha, and Jenny Heijun Wills. In this chapter, I pay careful attention to how Korean-born women negotiate their sense of identity and sexuality within contexts of race relations and racism, racial and gender capitalism, and postcolonial histories of marginalization and oppression in settings in Canada, the U.S., and South Korea. Chapter Three examines different forms of televisual comedies, Kim’s Convenience, Dr. Ken, and Angry Asian Little Girl, to underscore the influence of humour as an emerging strategy for diasporic representation, and at the same time, how such new vehicles of inclusion are surrounded by conditions of White-centred and commercial logics as well as internalized racism.