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Repositioning the Object: Exploring Prop Use Through the Flamenco Trilogy

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dc.contributor.advisorCallison, Darcey
dc.contributor.authorAvila, Gillian Maria
dc.date.accessioned2020-08-11T12:44:29Z
dc.date.available2020-08-11T12:44:29Z
dc.date.copyright2020-04
dc.date.issued2020-08-11
dc.date.updated2020-08-11T12:44:29Z
dc.degree.disciplineDance
dc.degree.levelMaster's
dc.degree.nameMFA - Master of Fine Arts
dc.description.abstractReflecting on the creation process of my flamenco trilogy, this thesis explores how one can reposition iconic flamenco objects when devising, creating, and producing three short films: The Fan, The Rose and The Bull. Each film examines personal, historical, and local relationships to iconic flamenco objects, enabled through the collaboration with filmmakers: Audrey Bow, Dayna Szyndrowski, and Clint Mazo.
dc.identifier.urihttp://hdl.handle.net/10315/37724
dc.languageen
dc.rightsAuthor owns copyright, except where explicitly noted. Please contact the author directly with licensing requests.
dc.subjectDance
dc.subject.keywordsDance
dc.subject.keywordsFlamenco
dc.subject.keywordsFilm
dc.subject.keywordsProps
dc.subject.keywordsObjects
dc.subject.keywordsCollaboration
dc.subject.keywordsProcess
dc.subject.keywordsCreation
dc.subject.keywordsBull
dc.subject.keywordsRose
dc.subject.keywordsFan
dc.subject.keywordsSpain
dc.subject.keywordsCanada
dc.subject.keywordsFilmmaking
dc.titleRepositioning the Object: Exploring Prop Use Through the Flamenco Trilogy
dc.typeElectronic Thesis or Dissertation

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