Requiem Mass as Concert Piece

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dc.contributor.advisorCoghlan, Michael
dc.creatorSmith, Graham Allister
dc.date.accessioned2016-09-20T16:42:26Z
dc.date.available2016-09-20T16:42:26Z
dc.date.copyright2015-12-08
dc.date.issued2016-09-20
dc.date.updated2016-09-20T16:42:26Z
dc.degree.disciplineMusic
dc.degree.levelDoctoral
dc.degree.namePhD - Doctor of Philosophy
dc.description.abstractThis dissertation concerns the history and architecture of the requiem mass as a composition conceived and designed for concert performance. The overall academic format and design of this work includes five chapters and a score of the authors own original requiem mass composition. Chapter one contains an historical overview and discusses how the mass (including the requiem mass) has evolved from traditional religious ceremony to complex musical performance piece. Chapter two provides a brief overview and analysis (limited to the Introit and Kyrie sections) of the requiem masses by Mozart, Berlioz, Verdi, and Britten (which are the four most important contributions to the genre of the requiem mass as concert piece). Particular attention is paid to the use of counterpoint and chromaticism within these pieces, and how these two specific devices contribute to development of the timbral interplay and textural variation of the concerted style. Chapter three includes a survey of the state of the requiem mass as concert piece in Canada and analysis of relevant requiem masses by Canadian composers. Chapter four tackles the oppositional rubrics of absolute music and programme music, the grey area which exists between the standard definitions of these two concepts, and what the limits of absolute music are, including the use of vocal participants and text-setting. Finally, chapter five contains a thorough description of the authors own original requiem mass composition. This latter component manifests itself in the form of a major compositional exegesis scored for full symphonic orchestra and mixed SATB chorus. It incorporates the standardized seven movements of the Latin text of the requiem mass Introit, Sequence, Offertory, Sanctus, Agnus Dei, Libera Me, and In Paradisum and has a duration of approximately sixty minutes.
dc.identifier.urihttp://hdl.handle.net/10315/32197
dc.language.isoen
dc.rightsAuthor owns copyright, except where explicitly noted. Please contact the author directly with licensing requests.
dc.subjectMusic
dc.subject.keywordsRequiem Mass
dc.subject.keywordsMusic Composition
dc.subject.keywordsCanadian Music
dc.subject.keywordsMozart
dc.subject.keywordsBerlioz
dc.subject.keywordsVerdi
dc.subject.keywordsBritten
dc.subject.keywordsAbsolute Music
dc.subject.keywordsProgramme Music
dc.subject.keywordsHistory of the Mass
dc.titleRequiem Mass as Concert Piece
dc.typeElectronic Thesis or Dissertation

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