Day 2 Panel 3 Bridges Between and Within the Arts, Panel Chair: Laurence Sylvain
| dc.contributor.author | Campbell, Lee | |
| dc.contributor.author | Mathieu-Lessard, Jeanne | |
| dc.contributor.author | Joseph, Clara | |
| dc.date.accessioned | 2020-07-02T15:27:33Z | |
| dc.date.available | 2020-07-02T15:27:33Z | |
| dc.date.issued | 2020-06-01 | |
| dc.identifier.uri | https://hdl.handle.net/10315/37601 | |
| dc.language.iso | en | en_US |
| dc.publisher | CCLA Congress 2020: virtual via zoom | en_US |
| dc.rights | Attribution-NonCommercial-NoDerivs 2.5 Canada | * |
| dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/2.5/ca/ | * |
| dc.subject | CCLA, Comparative Literature | en_US |
| dc.title | Day 2 Panel 3 Bridges Between and Within the Arts, Panel Chair: Laurence Sylvain | en_US |
| dc.title.alternative | “‘It Don’t Mean A Thing If It Ain’t Got That Swing’: Jazz, Para-Audible Cadence, and Deep Listening in Cortázar’s Hopscotch”, “L’humour fluide : Humour as a Conceptual Bridge”, and “The Artifice of ‘Bridges’: Rethinking Minority Discourse Theory in the Face of the Other Black” | en_US |
| dc.title.alternative | en_US | |
| dc.type | Presentation | en_US |