Suspiciously Significant Nonsense: A (Queer) Analysis of John Weinzweig's Private Collection Through Lip-Synced Performance
dc.contributor.advisor | Wrazen, Louise J. | |
dc.creator | Lomax, Anthony Caleb | |
dc.date.accessioned | 2019-03-05T14:51:04Z | |
dc.date.available | 2019-03-05T14:51:04Z | |
dc.date.copyright | 2018-10-29 | |
dc.date.issued | 2019-03-05 | |
dc.date.updated | 2019-03-05T14:51:04Z | |
dc.degree.discipline | Music | |
dc.degree.level | Master's | |
dc.degree.name | MA - Master of Arts | |
dc.description.abstract | This thesis presents two different analyses of John Weinzweigs Private Collection, a group of nine songs for soprano and piano that was completed in 1975. The first analysis is text-based and draws on the existing literature, my own reading of the score, and archival research. The second is a performance-based analysis focused on a lip-synced performance of Mary Lou Fallis and Monica Gaylords recording of the composition, which I personally directed. I also draw upon data collected from audience surveys and performer interviews in this analysis. Here I consider various layers of performativity in Private Collection and ground my work in performance studies and queer scholarship. I argue that lip-syncing is a queer methodology that can illuminate the fragmented and multiple meanings that emerge from recorded music. | |
dc.identifier.uri | http://hdl.handle.net/10315/35858 | |
dc.language.iso | en | |
dc.rights | Author owns copyright, except where explicitly noted. Please contact the author directly with licensing requests. | |
dc.subject | Performing arts | |
dc.subject.keywords | John Weinzweig | |
dc.subject.keywords | Mary Lou Fallis | |
dc.subject.keywords | Monica Gaylord | |
dc.subject.keywords | lip-sync | |
dc.subject.keywords | Song cycle | |
dc.subject.keywords | Performativity | |
dc.subject.keywords | Music analysis | |
dc.subject.keywords | Gertrude Stein | |
dc.subject.keywords | Dada | |
dc.subject.keywords | E. E. Cummings | |
dc.subject.keywords | Private Collection | |
dc.subject.keywords | Canadian music | |
dc.subject.keywords | Art music | |
dc.title | Suspiciously Significant Nonsense: A (Queer) Analysis of John Weinzweig's Private Collection Through Lip-Synced Performance | |
dc.type | Electronic Thesis or Dissertation |
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