SKIP-DRAG-FALL
| dc.contributor.advisor | Balfour, Barbara | |
| dc.creator | Muller St. Thomas, Amber Helene | |
| dc.date.accessioned | 2017-07-27T13:49:00Z | |
| dc.date.available | 2017-07-27T13:49:00Z | |
| dc.date.copyright | 2017-04-18 | |
| dc.date.issued | 2017-07-27 | |
| dc.date.updated | 2017-07-27T13:48:59Z | |
| dc.degree.discipline | Visual Arts | |
| dc.degree.level | Master's | |
| dc.degree.name | MFA - Master of Fine Arts | |
| dc.description.abstract | This paper examines work from my Unsettled Attachments series, sculptural explorations, and the participatory experiences connected to their making. The Unsettled Attachments series involves ongoing enactments. Household items are moved in public spaces and then photographed as a gesture of inquiry into spatial recognitions and various peculiarities. Through a method of practice-based research that involves performative collaboration (joint authorship) and interactive public performance, my research-creation work grapples with queerness, failure, desire, and the entanglements of participatory engagement. | |
| dc.identifier.uri | http://hdl.handle.net/10315/33594 | |
| dc.language.iso | en | |
| dc.rights | Author owns copyright, except where explicitly noted. Please contact the author directly with licensing requests. | |
| dc.subject | Performing arts | |
| dc.subject.keywords | Fine Art | |
| dc.subject.keywords | Performance Art | |
| dc.subject.keywords | Queer Touch | |
| dc.subject.keywords | Surrogacy | |
| dc.subject.keywords | Erasure and Representation | |
| dc.subject.keywords | Bisexuality | |
| dc.subject.keywords | Photography | |
| dc.subject.keywords | Textile Art | |
| dc.subject.keywords | Collective Authorship | |
| dc.subject.keywords | Everyday Objects | |
| dc.subject.keywords | Failure | |
| dc.title | SKIP-DRAG-FALL | |
| dc.type | Electronic Thesis or Dissertation |
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