The Long Drive: Experiments in Theatre Creation

dc.contributor.advisorArmstrong, Eric
dc.creatorWoolridge, Kevin James
dc.date.accessioned2018-03-01T13:45:37Z
dc.date.available2018-03-01T13:45:37Z
dc.date.copyright2017-05-05
dc.date.issued2018-03-01
dc.date.updated2018-03-01T13:45:37Z
dc.degree.disciplineTheatre
dc.degree.levelMaster's
dc.degree.nameMFA - Master of Fine Arts
dc.description.abstractThe following thesis records the process of writing, developing, rehearsing, and performing a solo theatre show called All The Birds in Their Bird Houses. It is a personal process that explores doubt and fear as both hindrance and catalyst for creation. It examines storytelling techniques via mask, cartooning, clown, and automaton. It touches on Anne Bogarts Viewpoints, Jerzy Grotowskis River Work, as well as the emotional colour wheel of Dr. Robert Plutchik. Ultimately it seeks to define and identify the concepts of risk and depth in theatre and how those concepts can be applied and utilized in the creation of solo theatre.
dc.identifier.urihttp://hdl.handle.net/10315/34254
dc.language.isoen
dc.rightsAuthor owns copyright, except where explicitly noted. Please contact the author directly with licensing requests.
dc.subjectTheater
dc.subject.keywordsTheatre
dc.subject.keywordsPlay-writing
dc.subject.keywordsViewpoints
dc.subject.keywordsChris Ware
dc.subject.keywordsPoor Theatre
dc.titleThe Long Drive: Experiments in Theatre Creation
dc.typeElectronic Thesis or Dissertation

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