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Eisenstein, Part 2: '[As] in Life Itself' – Montage from 1930

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dc.contributor.authorCameron, Evan Wm.
dc.date.accessioned2020-02-25T15:32:00Z
dc.date.available2020-02-25T15:32:00Z
dc.date.issued1967
dc.description.abstractFew artists have tried harder than Sergei Eisenstein to understand what they were doing, how and why, as they fashioned early on the works that made them famous, and no one among them has ever affirmed later on – with such clarity and conviction – how and why they had at the time misconceived what they were doing, and what lessons they had learned about their art from having done so. Though some filmmakers understood afterwards what Eisenstein had achieved by rethinking what he had done, few commentators, unable to sense hands-on its impetus or consequences, have proven capable of acknowledging it. Within this essay (Part II of two on the evolution of Eisenstein's conjectures about 'montage') I shall unpack what Eisenstein said in 1938 of the mistake that he had made early on and how to correct it, reaffirming thereby, though unwittingly, that Pudovkin had been right all along.en_US
dc.identifier.urihttps://hdl.handle.net/10315/37021
dc.language.isoenen_US
dc.rightsAttribution-NonCommercial-NoDerivs 2.5 Canada*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/2.5/ca/*
dc.subjectAestheticsen_US
dc.subjectALEXANDER NEVSKYen_US
dc.subjectAlexandrov, Grigorien_US
dc.subjectAnna Kareninaen_US
dc.subjectAttasheva, Peraen_US
dc.subjectAutobiographyen_US
dc.subjectBabel, Isaacen_US
dc.subjectBATTLESHIP POTEMKIN, THEen_US
dc.subjectBEZHIN MEADOWen_US
dc.subjectBiographyen_US
dc.subjectBuñuel, Luisen_US
dc.subjectCinematographyen_US
dc.subjectConquest, Roberten_US
dc.subjectCrime & Punishmenten_US
dc.subjectDie Walküreen_US
dc.subjectDirectingen_US
dc.subjectDostoevsky, Fyodoren_US
dc.subjectEditingen_US
dc.subjectEisenstein, Sergeien_US
dc.subjectEngels, Friedrichen_US
dc.subjectFilm Formen_US
dc.subjectFilm Senseen_US
dc.subjectFilmmaking, Russian and Sovieten_US
dc.subjectFilmmaking, Teaching ofen_US
dc.subjectFlaherty, Roberten_US
dc.subjectGas Masksen_US
dc.subjectGENERAL LINE, THEen_US
dc.subjectHieroglyphsen_US
dc.subjectHistoryen_US
dc.subjectHitler, Adolphen_US
dc.subjectIdeologiesen_US
dc.subjectIVAN THE TERRIBLEen_US
dc.subjectKhrushchev, Nikitaen_US
dc.subjectLeyda, Jayen_US
dc.subjectMarshall, Herberten_US
dc.subjectMarx, Karlen_US
dc.subjectMarxismen_US
dc.subjectMcCulloch, Warrenen_US
dc.subjectMeyerhold, Vsevoloden_US
dc.subjectMontageen_US
dc.subjectMontagu, Ivoren_US
dc.subjectNarrativeen_US
dc.subjectNaturalismen_US
dc.subjectNazisen_US
dc.subjectOCTOBERen_US
dc.subjectOLD AND NEWen_US
dc.subjectPasternak, Borisen_US
dc.subjectPopper, Karlen_US
dc.subjectRaskolnikoven_US
dc.subjectRealismen_US
dc.subjectRobinson, Daviden_US
dc.subjectScreenwritingen_US
dc.subjectScreenwriting, History ofen_US
dc.subjectScreenwriting, Teaching ofen_US
dc.subjectSeeing Moviesen_US
dc.subjectSemiologyen_US
dc.subjectShaShakespeare, Williamen_US
dc.subjectShostakovich, Dimitrien_US
dc.subjectShumyatsky, Borisen_US
dc.subjectStalin, Josephen_US
dc.subjectSTRIKEen_US
dc.subjectSymboliseen_US
dc.subjectTeachingen_US
dc.subjectTretyakov, Sergeien_US
dc.subjectWagner, Richarden_US
dc.subjectWittgenstein, Ludwigen_US
dc.subjectWord and Imageen_US
dc.subjectCameron, Evanen_US
dc.titleEisenstein, Part 2: '[As] in Life Itself' – Montage from 1930en_US
dc.typePresentationen_US

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