Fallen: Euripidess The Trojan Women as a Feminist Exploration

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dc.contributor.advisorArmstrong, Eric
dc.creatorOhanian, Theresa Marie
dc.date.accessioned2018-03-01T13:42:44Z
dc.date.available2018-03-01T13:42:44Z
dc.date.copyright2017-04-20
dc.date.issued2018-03-01
dc.date.updated2018-03-01T13:42:44Z
dc.degree.disciplineTheatre
dc.degree.levelMaster's
dc.degree.nameMFA - Master of Fine Arts
dc.description.abstractWas the ancient Athenian Euripides actually a proto-feminist? Euripidess writings have long been coopted and adapted by different political groups as historic evidence of their causes. This paper investigates whether this ascribed label fits the ancient writer through historic evidence and philosophical dissections of his work as it relates to the original play, Fallen, a feminist revision of Euripidess The Trojan Women.
dc.identifier.urihttp://hdl.handle.net/10315/34240
dc.language.isoen
dc.rightsAuthor owns copyright, except where explicitly noted. Please contact the author directly with licensing requests.
dc.subjectTheater history
dc.subject.keywordsThe Trojan Women
dc.subject.keywordsFeminist
dc.subject.keywordsEuripides
dc.subject.keywordsFallen
dc.subject.keywordsGreek
dc.subject.keywordsTheatre History
dc.subject.keywordsGreek Theatre
dc.subject.keywordsFeminist Theatre
dc.subject.keywordsWomen
dc.titleFallen: Euripidess The Trojan Women as a Feminist Exploration
dc.typeElectronic Thesis or Dissertation

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