Align and Crumble: Internally Falling Towards Authentic Behaviour in Acting and an Investigation of Anton Chekhov's Three Sisters

The purpose of this thesis is to investigate how to internally fall towards authentic behaviour and apply this means to the preparation and performance of the role of Doctor Chebutykin in Anton Chekhovs Three Sisters. The primary area of exploration will be to channel full body awareness by releasing the pelvic bowl and stimulating the enteric nervous system. Areas of investigation include Philip Shepherds New Self New World: Recovering Our Senses in the Twenty-first Century; Moksha Yoga practice and application; Erika Batdorfs approach to interoceptive awareness and emotional connection; Paul Lamperts twenty-six questions to character development; Kristin Linklaters progression of vocal exploration and warm up; Allyson McMackons teachings of Grotowskis river work; and Sage Willows coaching of American Sign Language. The thesis will contain supporting research including research and analysis of Russian history at the turn of the twentieth century, the Moscow Art Theatre, Chekhov and his play Three Sisters, the character of Doctor Chebutykin, as well as some performance history. It will conclude with a selection of journal entries from the rehearsal and performance of the production.