Balungan Pélog Tones of Gamelan Kyai Parijata Compared with Sine Tones
dc.contributor.author | Rahn, Jay | |
dc.date.accessioned | 2016-04-05T22:47:56Z | |
dc.date.available | 2016-04-05T22:47:56Z | |
dc.date.issued | 2016-04-05 | |
dc.description.abstract | gamelan | en_US |
dc.identifier.uri | http://hdl.handle.net/10315/31074 | |
dc.rights | Attribution-NonCommercial-NoDerivs 2.5 Canada | * |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/2.5/ca/ | * |
dc.subject | frequencies | |
dc.subject | spectra | |
dc.subject | saron demung | |
dc.subject | saron barung | |
dc.subject | sine tones | |
dc.subject | pitches | |
dc.title | Balungan Pélog Tones of Gamelan Kyai Parijata Compared with Sine Tones | en |
dc.type | Recording, acoustical | en |
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