The Exemplary Practices of David Griffith, Part 1: Establishing Events Historically
dc.contributor.author | Cameron, Evan Wm. | |
dc.date.accessioned | 2019-05-08T14:50:35Z | |
dc.date.available | 2019-05-08T14:50:35Z | |
dc.date.issued | 1968 | |
dc.description.abstract | With the release of THE BIRTH OF A NATION in 1915, David Griffith established by common consent and emulation of his peers the prototype of international feature filmmaking – an exemplar of the possibilities of practice within a natural art. A year later he completed INTOLERANCE, the film that was to entice a young Russian, Vsevolod Pudovkin, to explain what was going on and thus complete the paradigm. Within this essay I explain what Griffith did, how he came to do and why the doing of it was so influential. | en_US |
dc.identifier.uri | http://hdl.handle.net/10315/36203 | |
dc.language.iso | en | |
dc.rights | Attribution-NonCommercial-NoDerivs 2.5 Canada | * |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/2.5/ca/ | * |
dc.subject | Archer, William | en_US |
dc.subject | Biography | en_US |
dc.subject | BIRTH OF A NATION, THE | en_US |
dc.subject | CABIRIA | en_US |
dc.subject | Cinematography | en_US |
dc.subject | Clansman, The | en_US |
dc.subject | Constable, John | en_US |
dc.subject | Cook, David | en_US |
dc.subject | Danto, Arthur | en_US |
dc.subject | DeMille, Cecil B. | en_US |
dc.subject | Democrates | en_US |
dc.subject | Directing | en_US |
dc.subject | Dixon, Thomas | en_US |
dc.subject | Eisenstein, Sergei | en_US |
dc.subject | Fassbinder, Rainer Werner | en_US |
dc.subject | Filmmaking | en_US |
dc.subject | Gish, Dorothy | en_US |
dc.subject | Gish, Lillian | en_US |
dc.subject | Godard, Jean-Luc | en_US |
dc.subject | Goldwyn, Samuel | en_US |
dc.subject | Griffith, David Wark | en_US |
dc.subject | Hearing Movies | en_US |
dc.subject | History | en_US |
dc.subject | Ibsen, Henrik | en_US |
dc.subject | INTOLERANCE | en_US |
dc.subject | Jacobs, Lewis | en_US |
dc.subject | Kurosawa, Akira | en_US |
dc.subject | Lawson, John Howard | en_US |
dc.subject | Leonardo da Vinci | en_US |
dc.subject | Music | en_US |
dc.subject | Narrative | en_US |
dc.subject | Naturalism | en_US |
dc.subject | Nichols, Dudley | en_US |
dc.subject | ORPHANS OF THE STORM | en_US |
dc.subject | Pastrone, Giovanni | en_US |
dc.subject | Peacocke, Leslie | en_US |
dc.subject | Popper, Karl | en_US |
dc.subject | Pudovkin, Vsevolod | en_US |
dc.subject | Realism | en_US |
dc.subject | Sarcey, Francisque | en_US |
dc.subject | Screenwriting | en_US |
dc.subject | Screenwriting, History of | en_US |
dc.subject | Seeing Movies | en_US |
dc.subject | Shakespeare, William | en_US |
dc.subject | Sinatra, Frank | en_US |
dc.subject | Sirk, Douglas | en_US |
dc.subject | Sophocles | en_US |
dc.subject | Sounds | en_US |
dc.subject | Woolf, Virginia | en_US |
dc.subject | Cameron, Evan | en_US |
dc.title | The Exemplary Practices of David Griffith, Part 1: Establishing Events Historically | en_US |
dc.type | Presentation | en_US |
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