The Paradox of Beheading Risk: Specifically Clear and Sublimely Chaotic
| dc.contributor.advisor | Dobie, Gwen | |
| dc.creator | Paterson, Carmen Louise | |
| dc.date.accessioned | 2019-07-02T16:15:17Z | |
| dc.date.available | 2019-07-02T16:15:17Z | |
| dc.date.copyright | 2019-03-05 | |
| dc.date.issued | 2019-07-02 | |
| dc.date.updated | 2019-07-02T16:15:17Z | |
| dc.degree.discipline | Theatre | |
| dc.degree.level | Master's | |
| dc.degree.name | MFA - Master of Fine Arts | |
| dc.description.abstract | In this paper, I will investigate repetition and accuracy in the simplicity and complexity of the following thesis roles: Tour Guide, Aunt, Female Doctor, and Attendant #2 performed in Middletown by Will Eno. I will develop my own actor process which will facilitate a greater sense of clarity, embodiment, and authenticity. With an end goal of identifying an effective approach for both artistic and pedagogical application. The following specific methods that I have performed and studied will be applied: Authentic Movement, Syntonics, Laban/Bartenieff Movement, and Coordination Patterns. I will examine body, mind, and spirit through concepts of authenticity, clarity and embodiment (ACE). | |
| dc.identifier.uri | http://hdl.handle.net/10315/36277 | |
| dc.language.iso | en | |
| dc.rights | Author owns copyright, except where explicitly noted. Please contact the author directly with licensing requests. | |
| dc.subject | Theatre | |
| dc.subject.keywords | Authentic Movement | |
| dc.subject.keywords | Clarity | |
| dc.subject.keywords | Conscious | |
| dc.subject.keywords | Embodiment | |
| dc.subject.keywords | Impulse | |
| dc.title | The Paradox of Beheading Risk: Specifically Clear and Sublimely Chaotic | |
| dc.type | Electronic Thesis or Dissertation |
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