Slow Seeing
| dc.contributor.advisor | Lau, Yam K. | |
| dc.creator | Uyeda, Haley Keiko | |
| dc.date.accessioned | 2016-09-20T17:18:08Z | |
| dc.date.available | 2016-09-20T17:18:08Z | |
| dc.date.copyright | 2016-04-13 | |
| dc.date.issued | 2016-09-20 | |
| dc.date.updated | 2016-09-20T17:18:08Z | |
| dc.degree.discipline | Visual Arts | |
| dc.degree.level | Master's | |
| dc.degree.name | MFA - Master of Fine Arts | |
| dc.description.abstract | Slow Seeing is an exhibition of paintings, prints, collages and a video work that together reflect the procedural occurrences of a form of slow seeing. A proposition in discovering the iterative potentials of a process made knowable through the direct engagement and manipulation of materials and different modes of making. As an exhibition, Slow Seeing is a translation of an idea and a work from one medium to another, as an exploration and consideration of process, material and perception. Slow Seeing is an experience offered to the viewer in deciphering the imprinted, residual relationships between the works in the exhibition. Requests to move, pause, relook and ruminate are hoped to be imbued upon the viewer as an embodiment of slow seeing. Slow Seeing is a description of a methodological mode of working, through thinking and discovering the latent potentials in thoughts already thought, materials and experiences alike. | |
| dc.identifier.uri | http://hdl.handle.net/10315/32294 | |
| dc.language.iso | en | |
| dc.rights | Author owns copyright, except where explicitly noted. Please contact the author directly with licensing requests. | |
| dc.subject | Fine arts | |
| dc.subject.keywords | Visual Arts | |
| dc.title | Slow Seeing | |
| dc.type | Electronic Thesis or Dissertation |
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