If One has the Floor, does One also need to Dance? Topology, Choreology, and the Structure of Digital Space

dc.contributor.authorVučković, Marko
dc.date.accessioned2024-07-08T21:46:53Z
dc.date.available2024-07-08T21:46:53Z
dc.date.issued2024-07-01
dc.descriptionCopyright (c) 2022 Marko Vučković
dc.description.abstractMarcello Vitali-Rosati, in the essay “The Writer is the Architect” complimented by other works, provides a two-part thesis. The first argues that space is a chiasmic structure (as inside-outside); and the second argues that this structure reveals the productive role of the subject in constructing digital space (as architect). The essay here seeks to elucidate this logic and to expose it to a Lacanian critique: that it is a hysterical discourse unable in principle to emancipate digital spaces because it entails a purely immanent subject—in short, a subject which is solely product, not producer, of digital space
dc.identifier.issn1918-8439
dc.identifier.urihttps://doi.org/10.17742/IMAGE29703
dc.identifier.urihttps://hdl.handle.net/10315/42107
dc.language.isoen
dc.publisherUniversity of Alberta Library
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Internationalen
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/
dc.titleIf One has the Floor, does One also need to Dance? Topology, Choreology, and the Structure of Digital Space
dc.typeArticle

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