The Consequences of Representing Human Suffering Distress, and/or Violence
dc.contributor.advisor | Mitchell, Gail J. | |
dc.creator | Szlawieniec-Haw, Danielle Irene | |
dc.date.accessioned | 2018-08-27T16:41:03Z | |
dc.date.available | 2018-08-27T16:41:03Z | |
dc.date.copyright | 2018-04-25 | |
dc.date.issued | 2018-08-27 | |
dc.date.updated | 2018-08-27T16:41:02Z | |
dc.degree.discipline | Theatre and Performance Studies | |
dc.degree.level | Doctoral | |
dc.degree.name | PhD - Doctor of Philosophy | |
dc.description.abstract | Within academia, there has been much focus on representations of suffering, distress, and/or violence, including how these representations can foster meaningful change in audience members. The consequences of representing human suffering, distress, and/or violence, however, have received less attention. Given this, in this dissertation, I explore professional actors lived experiences of representing human suffering, distress, and/or violence. In order to complete this exploration, I undertook a world-first study, uncovering what professional actors experiences of representing human suffering, distress, and/or violence entail; how these actors respond to working with these complex representations; what concerns, meanings, strategies, and personal consequences these actors describe in relation to this work; and what, if any, support systems assist these actors as they engage with such representations. Throughout the dissertation, I review the themes that were identified in this study and consider what these themes can offer actors, the entertainment industry, and North American society moving forward. | |
dc.identifier.uri | http://hdl.handle.net/10315/35011 | |
dc.language.iso | en | |
dc.rights | Author owns copyright, except where explicitly noted. Please contact the author directly with licensing requests. | |
dc.subject | Ethics | |
dc.subject.keywords | Acting | |
dc.subject.keywords | Acting theory | |
dc.subject.keywords | Theatre | |
dc.subject.keywords | Theater | |
dc.subject.keywords | Film | |
dc.subject.keywords | Film studies | |
dc.subject.keywords | Ethics | |
dc.subject.keywords | Phenomenology | |
dc.subject.keywords | Trauma | |
dc.subject.keywords | Representing trauma | |
dc.subject.keywords | Suffering | |
dc.subject.keywords | Distress | |
dc.subject.keywords | Violence | |
dc.subject.keywords | Ethics of representing suffering | |
dc.subject.keywords | Ethics of representing distress | |
dc.subject.keywords | Ethics of representing violence | |
dc.subject.keywords | Consequences of representing suffering | |
dc.subject.keywords | Consequences of representing distress | |
dc.subject.keywords | Consequences of representing violence | |
dc.subject.keywords | Consequences of representing trauma | |
dc.subject.keywords | Ethics of representing trauma | |
dc.subject.keywords | Workplace ethics | |
dc.subject.keywords | Workplace health and wellness | |
dc.subject.keywords | Health and wellness | |
dc.subject.keywords | Actors health | |
dc.subject.keywords | Actors wellness | |
dc.subject.keywords | Self-care | |
dc.subject.keywords | Actors self-care | |
dc.subject.keywords | Support systems | |
dc.subject.keywords | Actors support systems | |
dc.subject.keywords | Vicarious trauma | |
dc.subject.keywords | Secondary trauma | |
dc.subject.keywords | Actors vicarious trauma | |
dc.subject.keywords | Actors secondary trauma | |
dc.title | The Consequences of Representing Human Suffering Distress, and/or Violence | |
dc.type | Electronic Thesis or Dissertation |
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