The Coming of Synchronous Sound to Filmmaking: an Introduction

dc.contributor.advisor
dc.contributor.authorCameron, Evan Wm.
dc.date.accessioned2019-04-18T18:44:32Z
dc.date.available2019-04-18T18:44:32Z
dc.date.issued1968
dc.description.abstractAn introduction to the causes and effects of the 'revolution' that occurred between 1927 and 1930 within the American filmmaking industry when the making of movies with synchronous sound became possible.en_US
dc.identifier.urihttp://hdl.handle.net/10315/36157
dc.language.isoen
dc.rightsAttribution-NonCommercial-NoDerivs 2.5 Canada*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/2.5/ca/*
dc.subjectBartok, Bela
dc.subjectBékésy, Georg von
dc.subjectCapra, Frank
dc.subjectCavell, Stanley
dc.subjectEisenstein, Sergei
dc.subjectFilmmaking
dc.subjectGomery, Douglas
dc.subjectHearing
dc.subjectHearing Movies
dc.subjectHearing Oneself
dc.subjectHistory
dc.subjectIdentity
dc.subjectLumière, Louis
dc.subjectMoussinac, Léon
dc.subjectMusic
dc.subjectPrévert, Jacques
dc.subjectScreenwriting
dc.subjectSeeing
dc.subjectSeeing Movies
dc.subjectSelf-Awareness
dc.subjectSounds
dc.subjectGreene, Graham
dc.subjectSpaak, Charles
dc.subjectWiseman, Frederick
dc.subjectZavattini, Cesare
dc.subjectCameron, Evanen_US
dc.titleThe Coming of Synchronous Sound to Filmmaking: an Introduction
dc.typePresentationen_US

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