The Coming of Synchronous Sound to Filmmaking: an Introduction

dc.contributor.advisor
dc.contributor.author	Cameron, Evan Wm.
dc.date.accessioned	2019-04-18T18:44:32Z
dc.date.available	2019-04-18T18:44:32Z
dc.date.issued	1968
dc.description.abstract	An introduction to the causes and effects of the 'revolution' that occurred between 1927 and 1930 within the American filmmaking industry when the making of movies with synchronous sound became possible.	en_US
dc.identifier.uri	http://hdl.handle.net/10315/36157
dc.language.iso	en
dc.rights	Attribution-NonCommercial-NoDerivs 2.5 Canada	*
dc.rights.uri	http://creativecommons.org/licenses/by-nc-nd/2.5/ca/	*
dc.subject	Bartok, Bela
dc.subject	Békésy, Georg von
dc.subject	Capra, Frank
dc.subject	Cavell, Stanley
dc.subject	Eisenstein, Sergei
dc.subject	Filmmaking
dc.subject	Gomery, Douglas
dc.subject	Hearing
dc.subject	Hearing Movies
dc.subject	Hearing Oneself
dc.subject	History
dc.subject	Identity
dc.subject	Lumière, Louis
dc.subject	Moussinac, Léon
dc.subject	Music
dc.subject	Prévert, Jacques
dc.subject	Screenwriting
dc.subject	Seeing
dc.subject	Seeing Movies
dc.subject	Self-Awareness
dc.subject	Sounds
dc.subject	Greene, Graham
dc.subject	Spaak, Charles
dc.subject	Wiseman, Frederick
dc.subject	Zavattini, Cesare
dc.subject	Cameron, Evan	en_US
dc.title	The Coming of Synchronous Sound to Filmmaking: an Introduction
dc.type	Presentation	en_US

Files

Now showing 1 - 1 of 1

Name:: [EWC, 1972] The Coming of Synchronous Sound - an Introduction (2019 04 17).pdf
Size:: 227.71 KB
Format:: Adobe Portable Document Format
Description:

Now showing 1 - 1 of 1