The Horror and the Glory: Euripides Among the Victorians
dc.contributor.advisor | Higgins, Lesley J. | |
dc.contributor.author | Will, Julianna Katherine | |
dc.date.accessioned | 2023-08-04T15:15:12Z | |
dc.date.available | 2023-08-04T15:15:12Z | |
dc.date.issued | 2023-08-04 | |
dc.date.updated | 2023-08-04T15:15:10Z | |
dc.degree.discipline | English | |
dc.degree.level | Doctoral | |
dc.degree.name | PhD - Doctor of Philosophy | |
dc.description.abstract | This dissertation explores the literary and cultural impact of Euripides in the long nineteenth century. The project tests Victorian theories of translation and appropriation against a diverse array of media (including poetry, prose, drama, non-fiction, and Pre-Raphaelite art) in multiple European languages (primarily English and ancient Greek, but also Latin, German, Italian, and French). Emphasizing ancient texts in their original languages, I examine how a wide array of Victorians (including Matthew Arnold, J. M. Barrie, Charlotte Brontë, George Eliot, Jane Harrison, Walter Pater, Frederick Sandys, Bram Stoker, J. A. Symonds, R. Y. Tyrrell, A. W. Verrall, Augusta Webster, and Oscar Wilde) engage with Euripidean tragedy to express the perceived tribulations and monstrosities of their rapidly changing era. Three of Euripides’s most widely read tragedies form the centre of the analysis, Bacchae, Medea, and Hippolytus, all of which are underpinned by Euripides’s associations with the god Dionysus. Although Ernst Behler’s 1986 article persuasively claimed a “nineteenth century damnatio of Euripides,” I argue that Euripidean texts were nevertheless widely read, translated, and appropriated into Victorian literature as a vehicle through which writers expressed ideas about aspects of ancient Greece antithetical to Matthew Arnold’s more popular notions of its “sweetness and light.” Through a theoretical framework inspired by Bakhtin, Foucault, Burkert, and Sedgwick, I analyze ancient and Victorian discursive formations; the material conditions of Victorian life, which prompt identification with Euripidean drama; and the socio-political institutions which Euripidean-inflected Victorian texts critique. | |
dc.identifier.uri | https://hdl.handle.net/10315/41355 | |
dc.language | en | |
dc.rights | Author owns copyright, except where explicitly noted. Please contact the author directly with licensing requests. | |
dc.subject | Classical literature | |
dc.subject | British and Irish literature | |
dc.subject | Literature | |
dc.subject.keywords | Reception theory | |
dc.subject.keywords | Classical reception | |
dc.subject.keywords | Greek reception | |
dc.subject.keywords | Victorian studies | |
dc.subject.keywords | Victorian literature | |
dc.subject.keywords | Athenian drama | |
dc.subject.keywords | Athenian tragedy | |
dc.subject.keywords | Greek literature | |
dc.subject.keywords | Greek drama | |
dc.subject.keywords | Greek tragedy | |
dc.subject.keywords | Euripides | |
dc.subject.keywords | Medea | |
dc.subject.keywords | Bacchae | |
dc.subject.keywords | Dionysus | |
dc.subject.keywords | Dionysian | |
dc.subject.keywords | Dionysus and Christ | |
dc.subject.keywords | Hippolytus | |
dc.subject.keywords | Phaedra | |
dc.subject.keywords | Jason and the Argonauts | |
dc.subject.keywords | Sophrosyne | |
dc.subject.keywords | Classical historiography | |
dc.subject.keywords | Matthew Arnold | |
dc.subject.keywords | J. M. Barrie | |
dc.subject.keywords | Peter Pan | |
dc.subject.keywords | Peter and Wendy | |
dc.subject.keywords | When Wendy Grew Up | |
dc.subject.keywords | Charlotte Brontë | |
dc.subject.keywords | Jane Eyre | |
dc.subject.keywords | George Eliot | |
dc.subject.keywords | Adam Bede | |
dc.subject.keywords | Jane Harrison | |
dc.subject.keywords | Prolegomena to the Study of Greek religion | |
dc.subject.keywords | Maenad | |
dc.subject.keywords | Walter Pater | |
dc.subject.keywords | A Study of Dionysus | |
dc.subject.keywords | The Bacchanals of Euripides | |
dc.subject.keywords | Demeter and Persephone | |
dc.subject.keywords | Studies in the History of the Renaissance | |
dc.subject.keywords | Denys L'Auxerrois | |
dc.subject.keywords | Apollo in Picardy | |
dc.subject.keywords | Frederick Sandys | |
dc.subject.keywords | Bram Stoker | |
dc.subject.keywords | Dracula | |
dc.subject.keywords | J. A. Symonds | |
dc.subject.keywords | A Problem in Greek Ethics | |
dc.subject.keywords | Studies of the Greek Poets | |
dc.subject.keywords | R. Y. Tyrrell | |
dc.subject.keywords | A. W. Verrall | |
dc.subject.keywords | Augusta Webster | |
dc.subject.keywords | Medea in Athens | |
dc.subject.keywords | Oscar Wilde | |
dc.subject.keywords | The Picture of Dorian Gray | |
dc.subject.keywords | Nineteenth century | |
dc.title | The Horror and the Glory: Euripides Among the Victorians | |
dc.type | Electronic Thesis or Dissertation |
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