Misusing Sights as Sounds: The Infringements of Radio Drama on the Making of CITIZEN KANE

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dc.contributor.authorCameron, Evan Wm.
dc.date.accessioned2019-04-12T20:01:59Z
dc.date.available2019-04-12T20:01:59Z
dc.date.issued1968
dc.description.abstractMany arts have influenced the cinema over extended periods of time. One art – radio drama – is an exception, for we can date the onset of its influence from the coming of synchronous sound to the cinema in 1926 and the culmination of it with the creation of CITIZEN KANE in 1941. Film and radio drama were thereafter to part company, each having learned what it could from the other. What had the cinema learned from radio drama? If we look closely at CITIZEN KANE, we can learn much about the virtues and limitations of radio design, cinematical design and the design of CITIZEN KANE itself.en_US
dc.identifier.urihttp://hdl.handle.net/10315/36135
dc.language.isoen
dc.rightsAttribution-NonCommercial-NoDerivs 2.5 Canada*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/2.5/ca/*
dc.subjectBazin, Andre
dc.subjectBresson, Robert
dc.subjectCinematography
dc.subjectCITIZEN KANE
dc.subjectCocteau, Jean
dc.subjectDirecting
dc.subjectEisenstein, Sergei
dc.subjectFilmmaking
dc.subjectHearing
dc.subjectHearing Movies
dc.subjectHistory
dc.subjectLADY FROM SHANGHAI, THE
dc.subjectLighting
dc.subjectMAGNIFICENT AMBERSONS, THE
dc.subjectMohr, Hal
dc.subjectMusic
dc.subjectRadio
dc.subjectScreenwriting
dc.subjectSeeing
dc.subjectSeeing Movies
dc.subjectSounds
dc.subjectToland, Greg
dc.subjectTOUCH OF EVIL
dc.subjectTruffaut, François
dc.subjectWelles, Orson
dc.subjectCameron, Evanen_US
dc.titleMisusing Sights as Sounds: The Infringements of Radio Drama on the Making of CITIZEN KANEen_US
dc.typePresentationen_US

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Screenwriting, 1940-1970 Uncoupling Movies from Novels, Plays, Poems & Stories
Screenwriting, 1930-1940 Interlude - Hearing Versus Seeing

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