Perceived Acceleration in Stereoscopic Animation

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dc.contributor.advisorAllison, Rob
dc.contributor.advisorKazimi, Ali
dc.contributor.advisorWilcox, Laurie
dc.creatorLaldin, Sidrah Abdul Rahman
dc.date.accessioned2018-05-28T12:56:49Z
dc.date.available2018-05-28T12:56:49Z
dc.date.copyright2017-11-02
dc.date.issued2018-05-28
dc.date.updated2018-05-28T12:56:49Z
dc.degree.disciplineInterdisciplinary Studies
dc.degree.levelMaster's
dc.degree.nameMA - Master of Arts
dc.description.abstractIn stereoscopic media, a sensation of depth is produced through the differences of images presented to the left and the right eyes. These differences are a result of binocular parallax caused by the separation of the cameras used to capture the scene. Creators of stereoscopic media face the challenge of producing compelling depth while restricting the amount of parallax to a comfortable range. Control of camera separation is a key manipulation to control parallax. Sometimes, stereoscopic warping is used in post-production process to selectively increase or decrease depth in certain regions of the image. However, mismatches between camera geometry and natural stereoscopic geometry can theoretically produce nonlinear distortions of perceived space. The relative expansion or compression of the stereoscopic space, in theory, should affect the perceived acceleration of objects moving through that space. This thesis suggests that viewers are tolerant of effects of distortions when perceiving acceleration in a stereoscopic scene.
dc.identifier.urihttp://hdl.handle.net/10315/34551
dc.language.isoen
dc.rightsAuthor owns copyright, except where explicitly noted. Please contact the author directly with licensing requests.
dc.subjectFilm studies
dc.subject.keywordsStereoscopic animation
dc.subject.keywords3D film
dc.subject.keywordsPerceived acceleration
dc.subject.keywordsStereoscopic warping
dc.subject.keywordsStereoscopic depth perception
dc.titlePerceived Acceleration in Stereoscopic Animation
dc.typeElectronic Thesis or Dissertation

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