Drama is Life! Exploring Ethno-Drama as a Model for Designing a 21st Century Secondary Drama Curriculum
dc.contributor.advisor | Zatzman, Belarie Hyman | |
dc.contributor.author | Connelly, Sharon Melanie Dawn Haynes | |
dc.date.accessioned | 2019-11-22T18:40:09Z | |
dc.date.available | 2019-11-22T18:40:09Z | |
dc.date.copyright | 2019-05 | |
dc.date.issued | 2019-11-22 | |
dc.date.updated | 2019-11-22T18:40:09Z | |
dc.degree.discipline | Education | |
dc.degree.level | Master's | |
dc.degree.name | MEd - Master of Education | |
dc.description.abstract | In a world of rapidly changing demographics combined with growing global nationalism and increased connectivity, educators are forced to reconsider many previously held assumptions. This study proposes an innovative approach to drama education, which responds to these challenges. This response is Ethno-Drama, a model I have created to differentiate my pedagogical method from others, and which enables students of diverse backgrounds to explore the interplay of life and art. This exploration of self, other, and the world around them is conducted equitably in a mentorship relationship with their teacher that is an ongoing learning journey. I present a review of literature on drama education from which I identify four main pedagogical categories that I use to present a clear analysis of Ethno-Drama. Ethno-Drama also responds to a pressing need in contemporary education by providing both student and teacher an exciting vehicle, which elicits that continuing thirst for knowledge and self-reflection. | |
dc.identifier.uri | http://hdl.handle.net/10315/36685 | |
dc.language | en | |
dc.rights | Author owns copyright, except where explicitly noted. Please contact the author directly with licensing requests. | |
dc.subject | Art education | |
dc.subject.keywords | Arts Education | |
dc.subject.keywords | Artistic Expression | |
dc.subject.keywords | Assessment and Evaluation | |
dc.subject.keywords | Collaborative Inquiry | |
dc.subject.keywords | Community | |
dc.subject.keywords | Creative Process | |
dc.subject.keywords | Cross Curricular | |
dc.subject.keywords | Cultural Capital | |
dc.subject.keywords | Cultural Responsiveness | |
dc.subject.keywords | Cultural Proficiency | |
dc.subject.keywords | Curriculum Design | |
dc.subject.keywords | Descriptive Feedback | |
dc.subject.keywords | Drama | |
dc.subject.keywords | Drama Education | |
dc.subject.keywords | Ethnodrama | |
dc.subject.keywords | Ethnography | |
dc.subject.keywords | Ethno-Drama | |
dc.subject.keywords | Equity | |
dc.subject.keywords | Facilitation | |
dc.subject.keywords | Inclusive Education | |
dc.subject.keywords | Inclusive Design | |
dc.subject.keywords | Interdisciplinary | |
dc.subject.keywords | Leadership | |
dc.subject.keywords | ​Learning Goals | |
dc.subject.keywords | Mentorship | |
dc.subject.keywords | Modern Learners | |
dc.subject.keywords | Moral Education | |
dc.subject.keywords | Products | |
dc.subject.keywords | Professional Learning | |
dc.subject.keywords | Project-Based Learning | |
dc.subject.keywords | Shared Leadership | |
dc.subject.keywords | Social Capital | |
dc.subject.keywords | Social Justice | |
dc.subject.keywords | ​STEAM | |
dc.subject.keywords | STEM | |
dc.subject.keywords | Student Centered Learning | |
dc.subject.keywords | Student Leadership | |
dc.subject.keywords | Student Voice | |
dc.subject.keywords | Success Criteria | |
dc.subject.keywords | Teaching and Learning | |
dc.subject.keywords | Theatre | |
dc.subject.keywords | Theatre Education | |
dc.subject.keywords | Theory and Practice | |
dc.subject.keywords | Triangulation | |
dc.subject.keywords | Twenty-First Century Learning | |
dc.subject.keywords | Universal Design. | |
dc.title | Drama is Life! Exploring Ethno-Drama as a Model for Designing a 21st Century Secondary Drama Curriculum | |
dc.type | Electronic Thesis or Dissertation |
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