Recent Diatonic Theory and Curwen's Tonic Sol-Fa Method: Formal Models for a Kinesic-Harmonic System

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dc.contributor.authorRahn, Jay
dc.date.accessioned2011-01-21T15:18:03Z
dc.date.available2011-01-21T15:18:03Z
dc.date.issued1997-06-01
dc.identifier.citationProceedings of the Third Triennial ESCOM Conference, Uppsala, Sweden, 7-12 June, 1997, pp. 134-39en
dc.identifier.urihttp://hdl.handle.net/10315/6610
dc.publisherEuropean Society for the Cognitive Sciences of Music (ESCOM)
dc.subjectKodaly method, John Clough,en
dc.subjectBritish Empire, hegemony,en
dc.subjectjust intonation,en
dc.subjecttriad, voice leading,en
dc.subjectJohn Curwen, tonic sol-fa, pedagogy, hand signs, cheironomy, diatonic,en
dc.subjectRichard Cohn, Alexander Ellis, Hermann Helmholtz, Sarah Glover,en
dc.titleRecent Diatonic Theory and Curwen's Tonic Sol-Fa Method: Formal Models for a Kinesic-Harmonic Systemen
dc.typePresentationen

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