Review of William Rothman's Documentary Film Classics (New York, New York: Cambridge University Press, 1997), xv + 2018 pages

dc.contributor.author	Cameron, Evan Wm.
dc.date.accessioned	2020-04-06T14:41:56Z
dc.date.available	2020-04-06T14:41:56Z
dc.date.issued	2001
dc.description.abstract	A review of William Rothman's Documentary Film Classics (New York, New York: Cambridge University Press, 1997), xv + 2018 pages, published on pages 215-217 of the Journal of Aesthetics and Art Criticism, Vol. 59, No. 2 (Spring, 2001). See https://www.jstor.org/stable/432227 (as of 03 April 2020).	en_US
dc.identifier.uri	https://hdl.handle.net/10315/37173
dc.language.iso	en	en_US
dc.rights	Attribution-NonCommercial-NoDerivs 2.5 Canada	*
dc.rights.article	www.jstor.org/stable/432227	en_US
dc.rights.uri	http://creativecommons.org/licenses/by-nc-nd/2.5/ca/	*
dc.subject	A HAPPY MOTHER'S DAY	en_US
dc.subject	Aesthetics	en_US
dc.subject	Cavell, Stanley	en_US
dc.subject	CHRONICLE OF A SUMMER	en_US
dc.subject	Cinematography	en_US
dc.subject	Directing	en_US
dc.subject	DON'T LOOK BACK	en_US
dc.subject	Editing	en_US
dc.subject	Filmmaking	en_US
dc.subject	Filmmaking, Documentary	en_US
dc.subject	LAND WITHOUT BREAD	en_US
dc.subject	NANOOK OF THE NORTH	en_US
dc.subject	NIGHT AND FOG	en_US
dc.subject	Philosophy	en_US
dc.subject	Rothman, William	en_US
dc.subject	Cameron, Evan	en_US
dc.title	Review of William Rothman's Documentary Film Classics (New York, New York: Cambridge University Press, 1997), xv + 2018 pages	en_US
dc.type	Other	en_US

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