Julius Caesar and The Death of a Chief: The Deconstruction of Colonial Knowledge and Reclamation of Indigeneity Through Theatre

dc.contributor.authorNicolazzo, Rosina
dc.date.accessioned2023-11-21T20:47:31Z
dc.date.available2023-11-21T20:47:31Z
dc.date.issued2023-03-30
dc.descriptionThis essay won the Department of English's Avie Bennett Prize in Canadian Literature in 2023. Faculty members nominate students for this award. Avie Bennett was Chancellor of York University from May 1998 to June 2004. Because of his lifelong interest in Canadian Studies, he has established a prize to be awarded annually to an undergraduate student studying in the Department of English in the Faculty of LA&PS, who has written the best essay in Canadian Literature. The recipient will also receive a set of the New Canadian Library at the annual English Department awards reception.
dc.description.abstractWithin the greater Canadian cultural context, Indigenous communities have been engaged in a constant effort to reclaim, preserve, and foster their diasporic “pan-Indian” community against the genocidal and assimilationist projects of the settler colonial state. Through imperial logics of disenfranchisement and discourses of violence, Indigenous women have been recurring targets for their held cultural, communal and spiritual power. By reducing and silencing that authority, Canadian white nationalism has asserted its governmental dominion and jurisprudence over all Indigenous wellbeing—with Indigenous women intersectionally marginalized due to white supremacy and patriarchal supremacy.
dc.identifier.urihttps://hdl.handle.net/10315/41547
dc.language.isoen
dc.titleJulius Caesar and The Death of a Chief: The Deconstruction of Colonial Knowledge and Reclamation of Indigeneity Through Theatre
dc.typeOther

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