Sunday, July 31st

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dc.contributor.advisorBarta, Tereza
dc.contributor.authorMotazedi, Meysam
dc.date.accessioned2024-07-18T21:27:32Z
dc.date.available2024-07-18T21:27:32Z
dc.date.copyright2024-05-06
dc.date.issued2024-07-18
dc.date.updated2024-07-18T21:27:31Z
dc.degree.disciplineFilm And Video
dc.degree.levelMaster's
dc.degree.nameMFA - Master of Fine Arts
dc.description.abstractMy thesis film Sunday, July 31st is an exercise in abandonment—with it, I leave the lingering ghosts of a tumultuous childhood behind and finally step out of my father’s ubiquitous shadow. In a way, it is a dreamy retelling of our relationship. Framed through a restrained yet poignant lens, the narrative charts the journey of Pejman, the protagonist, as he embarks on a pivotal transformation from adolescence to adulthood. We observe as a seemingly insignificant misstep culminates in a powerful declaration of selfhood, throwing open the doors to a tenuous freedom that jars as much as it thrills. As the story reaches its coda, it exposes the restorative potency of truth, prompting the viewer to question their own notions of right and wrong, good and bad.
dc.identifier.urihttps://hdl.handle.net/10315/42194
dc.languageen
dc.rightsAuthor owns copyright, except where explicitly noted. Please contact the author directly with licensing requests.
dc.subjectFilm studies
dc.titleSunday, July 31st
dc.typeElectronic Thesis or Dissertation

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