(2020-08-24) Sabada, SK; da Silveira Gorman, Rachel; Mitchell, Allyson
This MRP comprises two inter-related papers examining the intimacies of death and dying and their relationship to madness through performance.
The first paper focuses on the use of alternate reality games (ARGs) as a medium of performance. In particular, through the exploration of my own ARG, I discuss the possibilities ARGs have for madness and death. I suggest that this format, unlike other mediums, has distinct features that would benefit mad and disabled artists in their explorations of madness and disability. Through the articulation of the intimacies of death and dying and the abject, this paper also seeks to explore the further significance of their conceptual applications in discussions pertaining to mad subjectivity.
The second paper seeks to examine the complex relationships between death, madness and performance through the invocation of the Intimacies of Death and Dying and the theatrical use of the Abject. This paper asks: What is it about the act of being alive, that qualifies us for being embodied subjects? Further, what does it mean for those of us whose embodiments are conditional? Through navigating these relationships, this paper tentatively examines what exploring these relationships might mean for mad subjectivities and dead embodiments in the context of performance.