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On Mathematics, Music and Film
An early attempt by the author to comprehend the nature, scope and limits of the constraints on the possibilities of 'colour music'. (Thesis submitted in the Spring of 1968 in partial fulfillment of the requirements for ...
Kant and Aesthetics: an Introduction
A brief introduction to Kant's Third Critique as presented in November 1986 at the request of Professor Seth Feldman to the undergraduate students enrolled within his 'Introduction to Fine Arts' course of the Fine Arts ...
Sternberg's Maxims, Dietrich's Face: Distinguishing Cinematographical from Photographical Lighting
How does cinematographical lighting differ from photographical lighting? Josef Sternberg amplified the answer when lighting the face of Marlene Dietrich within the six movies that he made with her between 1929 and 1935. ...
Photograph of Bernard Hermann and EWC (21 October 1973, Dryden Theatre, George Eastman House, Rochester, New York)
Photograph of Bernard Hermann and EWC taken on 21 October 1973 on the steps of the Dryden Theatre at the George Eastman House, Rochester, New York, following Bernard Hermann's presentation as part of the 'Reminiscence and ...
Photograph of EWC (circa 1975, Boston, Massachusetts)
Photograph of EWC in Boston, Massachusetts, circa 1975. [Photographer unknown].
Misusing Sights as Sounds: The Infringements of Radio Drama on the Making of CITIZEN KANE
Many arts have influenced the cinema over extended periods of time. One art – radio drama – is an exception, for we can date the onset of its influence from the coming of synchronous sound to the cinema in 1926 and the ...
Robert Towne, Chinatown, and the Bewitchments of 'Tone'
Screenwriters during the 'studio era' were required to work in sequence upon the screenplays of movies. After the studios collapsed, however, they were obliged increasingly to work alone, many striving to secure above all ...
Photograph of EWC (2008, Rouge Park Conservation Area, Markham, Ontario)
Photograph of EWC in the fall of 2008 about to 'enter retirement' by walking his dog along a pathway within the Rouge Park Conservation Area, Markham, Ontario. [Photograph by Joan Evans].
Kant at the La Ciotat Station: the Arrival of the Lumière's Train
In 1787 Immanuel Kant published a second edition of his Critique of Pure Reason. Within a new preface he reaffirmed an identity that his critics had failed to comprehend: we and God encounter things differently rather than ...
'In My Mind's Ear': Misconstruing Sounds as Sights – a Philosophical and Cinematical Caution
The notion of 'imaging' music ought to perplex us philosophically, for 'to imagine' is a verb of visualisation. Hearing musical events may cause us to imagine things, and seeing things may cause us to think of hearing ...