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Beyond Modern Jazz: The Evolution of Postmodern Jazz Performance and Composition from 1969 to the Present
In the following paper, I will address what I perceive to be a gap in scholarship regarding the evolution of African-American classical music (popularly referred to as jazz) following the end of its primary phase of ...
Reanimating Dissonance: Cultivating the Antecedents of Barry Harris' Concept of Movement as Multidimensional Pedagogical Tool for Ontario Post-Secondary Jazz Curricula
One of the challenges faced in post-secondary jazz education across the GTA is finding qualified instructors who are familiar with dialogical methods for teaching African American jazz histories. More specifically, finding ...