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Kant at the La Ciotat Station: the Arrival of the Lumière's Train

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dc.contributor.authorCameron, Evan Wm.
dc.date.accessioned2019-03-29T15:27:39Z
dc.date.available2019-03-29T15:27:39Z
dc.date.issued1981
dc.description.abstractIn 1787 Immanuel Kant published a second edition of his Critique of Pure Reason. Within a new preface he reaffirmed an identity that his critics had failed to comprehend: we and God encounter things differently rather than different things. A century later Louis Lumière, by the first public screening of a movie, exemplified a comparable identity that a good many nonfilmmakers have ever since failed to comprehend: we see differently by means of movies the same things that stood before the camera as the film was exposed rather than different things. I sketch within this essay the consequences of those identities for logic and filmmaking, foremost among them that identity claims, carefully construed, are irrefutable, disposing of impotent counterarguments.en_US
dc.identifier.urihttp://hdl.handle.net/10315/36072
dc.language.isoen
dc.rightsAttribution-NonCommercial-NoDerivs 2.5 Canada*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/2.5/ca/*
dc.subjectBerkeley, George
dc.subjectBazin, Andre
dc.subjectCavell, Stanley
dc.subjectEastman Kodak Company
dc.subjectFilmmaking
dc.subjectGregory, Richard
dc.subjectHistory, Philosophy of
dc.subjectHochberg, J. E.
dc.subjectIdentity
dc.subjectKant, Immanuel
dc.subjectKracauer, Siegfried
dc.subjectLogic
dc.subjectLumière, Louis
dc.subjectNegation
dc.subjectPasolini, Pier Paolo
dc.subjectPhilosophy
dc.subjectPhilosophy, History of
dc.subjectPhotography
dc.subjectQuine, Willard van Orman
dc.subjectRealism
dc.subjectScruton, Roger
dc.subjectSeeing Movies
dc.subjectSesonske, Alexander
dc.subjectWalton, Kendall
dc.subjectCameron, Evanen_US
dc.titleKant at the La Ciotat Station: the Arrival of the Lumière's Trainen_US
dc.typePresentationen_US

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