Recent Diatonic Theory and Curwen's Tonic Sol-Fa Method: Formal Models for a Kinesic-Harmonic System
| dc.contributor.author | Rahn, Jay | |
| dc.date.accessioned | 2011-01-21T15:18:03Z | |
| dc.date.available | 2011-01-21T15:18:03Z | |
| dc.date.issued | 1997-06-01 | |
| dc.identifier.citation | Proceedings of the Third Triennial ESCOM Conference, Uppsala, Sweden, 7-12 June, 1997, pp. 134-39 | en |
| dc.identifier.uri | http://hdl.handle.net/10315/6610 | |
| dc.publisher | European Society for the Cognitive Sciences of Music (ESCOM) | |
| dc.subject | Kodaly method, John Clough, | en |
| dc.subject | British Empire, hegemony, | en |
| dc.subject | just intonation, | en |
| dc.subject | triad, voice leading, | en |
| dc.subject | John Curwen, tonic sol-fa, pedagogy, hand signs, cheironomy, diatonic, | en |
| dc.subject | Richard Cohn, Alexander Ellis, Hermann Helmholtz, Sarah Glover, | en |
| dc.title | Recent Diatonic Theory and Curwen's Tonic Sol-Fa Method: Formal Models for a Kinesic-Harmonic System | en |
| dc.type | Presentation | en |