YorkSpace has migrated to a new version of its software. Access our Help Resources to learn how to use the refreshed site. Contact diginit@yorku.ca if you have any questions about the migration.
 

Reading the Superhuman, Embodiments of Multiplicity in Marvel Comics

Simple item page
dc.contributor.advisorRedding, Art
dc.creatorPeppard, Anna Florence
dc.date.accessioned2017-07-27T13:34:45Z
dc.date.available2017-07-27T13:34:45Z
dc.date.copyright2017-01-19
dc.date.issued2017-07-27
dc.date.updated2017-07-27T13:34:45Z
dc.degree.disciplineEnglish
dc.degree.levelDoctoral
dc.degree.namePhD - Doctor of Philosophy
dc.description.abstractThe goal of this project is to identify, analyze and historicize the operation of embodied multiplicities within superhero comics from the postwar era using the example of comics produced by the Marvel group between 1961 and 2005. This project argues that the superheroes created during this era reflect major social and cultural upheavals that continue to reshape the postwar era; this includes the dawn of the Atomic Age as well as the rise of the Civil Rights movement, second-wave feminism, the sexual revolution, and liberal multiculturalism. This project furthermore argues that superhero comics are especially useful vehicles for exploring both the practice of polysemy in popular texts as well as the ongoing evolution of popular bodily desires and fantasies within postwar American society and culture. Reading superhero comics as a body genre, this project offers a formally and visually driven analysis focusing on evolving representations of gender, race, sexuality, and disability, and the fantasies and anxieties those representations reflect, resist, and negotiate. Ultimately, this project argues that superhero comics embodied multiplicities offer especially rich opportunities for subverting hegemonic narratives that would devalue the meaning of bodily expression and the diversity of bodily experience. It also argues, however, that superhero comics possess especially sophisticated tools for negating such subversion, routinely mobilizing seeming resistances to hegemonic narratives in ways that in fact reassert those narratives in new, bright costumes and fantastical metaphors.
dc.identifier.urihttp://hdl.handle.net/10315/33515
dc.language.isoen
dc.rightsAuthor owns copyright, except where explicitly noted. Please contact the author directly with licensing requests.
dc.subjectGender studies
dc.subject.keywordsSuperheroes
dc.subject.keywordsGender
dc.subject.keywordsRace
dc.subject.keywordsSexuality
dc.subject.keywordsDisability
dc.subject.keywordsEmbodiment
dc.subject.keywordsGenre fiction
dc.subject.keywordsComics
dc.subject.keywordsPopular culture
dc.subject.keywordsCold War
dc.subject.keywordsAtomic age
dc.subject.keywordsFeminism
dc.subject.keywordsAmerican literature
dc.subject.keywordsAmerican culture
dc.titleReading the Superhuman, Embodiments of Multiplicity in Marvel Comics
dc.typeElectronic Thesis or Dissertation

Files

Original bundle
Now showing 1 - 1 of 1
Thumbnail Image
Name:
Peppard_Anna_F_2017_PhD.pdf
Size:
41.1 MB
Format:
Adobe Portable Document Format
Download
License bundle
Now showing 1 - 2 of 2
No Thumbnail Available
Name:
license.txt
Size:
1.83 KB
Format:
Plain Text
Description:
Download
No Thumbnail Available
Name:
YorkU_ETDlicense.txt
Size:
3.38 KB
Format:
Plain Text
Description:
Download

Collections

English

All items in the YorkSpace institutional repository are protected by copyright, with all rights reserved except where explicitly noted.