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dc.contributor.authorRubinoff, Daniel I.
dc.date.accessioned2010-07-26T20:09:18Z
dc.date.available2010-07-26T20:09:18Z
dc.date.issued2007-07
dc.identifier.isbn978-0-494-32037-2
dc.identifier.urihttp://hdl.handle.net/10315/4516
dc.description.abstractThis thesis examines the sonic parameters and musical versatility of the concert saxophone. Invented in 1840, the instrument failed to become a regular member of the symphony orchestra, and is thus underrepresented in classical music. This researcher argues that the saxophone's unique sonic design makes it an effective contemporary instrument in a wide variety of genres. Specifically, the techniques of subtone, harmonics, and false fingerings are examined from both a performance and compositional perspective. Additionally, the instrument's resemblance to the human voice is documented. An examination of five original saxophone compositions highlights the instrument's flexibility as a solo instrument or as a member of an ensemble. This work adds to the number of original compositions for the saxophone and explores the reasons behind the instrument's success in contemporary music.en
dc.language.isoenen
dc.publisherYork Universityen
dc.subjectSaxophoneen
dc.subjectMusicologyen
dc.subjectMusic compositionen
dc.subjectOrganologyen
dc.titleThe stylistic diversity of the concert saxophoneen
dc.typeThesisen
dc.degree.disciplineDepartment of Musicen
dc.degree.nameMAen
dc.degree.levelmaster'sen


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